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Perhaps the most subversive change is the return of the mature woman as a sexual protagonist. Emma Thompson in Good Luck to You, Leo Grande (2022) gave a masterclass in this, playing a 55-year-old widow who hires a sex worker to explore her body for the first time. Similarly, Olivia Colman in The Lost Daughter (2021) portrays a sexually complex, selfish, brilliant academic—a role that would have been unthinkable for a 40+ actress two decades ago.
Streaming platforms (Netflix, Apple TV+, Hulu) have disrupted traditional studio ageism:
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The reception and perception of adult content vary widely across different cultures and societies. Some view it as a form of expression and a way to explore and exhibit sexuality, while others see it as taboo or immoral.
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The next five years will determine whether this renaissance is a fleeting trend or a permanent restructuring.
We are already seeing signs of permanence. Studios are developing franchises built for older female protagonists (e.g., The Eternals’ older cast, the Murder, She Wrote reboot). Actresses are launching their own production companies to bypass the system—Reese Witherspoon’s Hello Sunshine and Margot Robbie’s LuckyChap are famous examples, but look to Jodie Foster, Sharon Stone, and Halle Berry, all of whom have first-look deals to produce starring vehicles for themselves and their peers. "Why Hollywood Won’t Cast Women Over 40 (Unless
Furthermore, the international market is pushing the envelope. French cinema has always been kinder to older women (think Isabelle Huppert in Elle at 63), but now Korean, Indian, and Nordic films are featuring gritty, mature female leads at unprecedented rates.