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The 1990s are widely considered a renaissance for dramatic cinema. Directors like Martin Scorsese, Steven Spielberg, and Frank Darabont released films that are still ranked as the highest-rated dramas on platforms like IMDb and Rotten Tomatoes. The term "Semi" (semi-nude or softcore) is often
The most significant fault line in drama reviewing today is the death of the 10-point scale. Rotten Tomatoes aggregates “fresh” vs. “rotten,” reducing nuanced art to a pass/fail grade. Metacritic calculates an average, as if a film’s worth were a math problem. Directors like Martin Scorsese, Steven Spielberg, and Frank
Deep drama defies this. A film can be important but not enjoyable. 12 Years a Slave (2013) is a masterpiece of unbearable suffering. I never want to watch it again. Its Tomatometer score (96%) tells you nothing about that emotional tax. Conversely, Green Book (2018) has a 77% score and is perfectly “watchable,” yet many critics (myself included) would argue its smoothing-over of racism makes it a morally dubious drama.
The deep review, therefore, must resist the tyranny of the score. It must articulate terms of engagement. Is this a drama to admire from a distance, or to live inside? Is its goal catharsis or discomfort? The best critics now provide “if you liked X, try Y” guideposts rather than star ratings.