Audience reviews on platforms like Trustpilot and Amazon UK show confusion. Samples:
“Bought the ‘2017 Exclusive’ thinking it was a sequel – it’s the same movie but shorter. Disappointing.”
“Why is this called exclusive? Nothing special. Kids still liked it.”
This indicates that the “Exclusive” label, while legally permissible, creates false expectations and fragments the film’s identity in digital catalogs.
The 2017 animated film The Little Vampire (also known as The Little Vampire 3D) is a reboot of the 2000 live-action movie, both based on the popular German children’s book series by Angela Sommer-Bodenburg. While it leans into quirky humor and stunning animation, it remains a "lovable bad movie" for many fans who enjoy its spooky but child-friendly atmosphere. Movie Highlights
The Story: Thirteen-year-old Tony Thompson, a human boy obsessed with vampires, meets Rudolph, a thirteen-year-old vampire whose family is being hunted by the ruthless Rookery. The two team up for a Transylvanian adventure to save the vampire clan.
Unique Quirk: The film features flying fanged cows, a detail often cited by fans as one of the most memorable and bizarre parts of the 2017 version.
Animation Style: Renowned artist Lois van Baarle (Loish) contributed character designs, giving the film a distinctively cartoony and stylized look. Fan & Critic Perspective Some character designs I did for The Little... - loish blog
The Little Vampire 2017 Exclusive: A Comprehensive Guide
Introduction
"The Little Vampire" is a heartwarming and thrilling tale that has captured the hearts of audiences worldwide. The 2017 exclusive version offers a fresh and exciting take on the classic story. This guide aims to provide an in-depth look at the 2017 exclusive version of "The Little Vampire," exploring its plot, characters, themes, and more.
Plot Summary
The story revolves around Rudolf, a 9-year-old vampire who befriends a mortal boy named Hannes. As their friendship deepens, Rudolf must navigate the challenges of being a vampire while trying to protect Hannes from the dangers of the vampire world.
Main Characters
Themes
Exclusive Features (2017)
Target Audience
Conclusion
The 2017 exclusive version of "The Little Vampire" offers a captivating and entertaining experience for audiences of all ages. With its engaging plot, lovable characters, and positive themes, this guide provides a comprehensive overview of the story, making it easy for viewers to immerse themselves in the world of Rudolf and his friends.
In the autumn of 2017, something strange happened in the sleepy town of Silver Creek. Not the usual “strange” of rustling leaves or creaky gates, but the kind that made dogs bark at nothing and old Mrs. Hargrove’s weather vane spin in still air.
It started with a leak. Not a water leak—a film leak.
A grainy, 47-second clip appeared on a forgotten forum called Reel Obscura. The title read: “The Little Vampire – 2017 Exclusive – Lost Cut.”
Now, fans of The Little Vampire knew the 2000 family film about Rudolph, a nine-year-old vampire who befriends a human boy named Tony. Wholesome. Funny. A bit cheesy. But this… this was different.
The footage was shot on 16mm film, dated October 2017. It showed a pale boy with jet-black hair and old-fashioned clothes standing in a moonlit barn. He looked like Rudolph, but older—thirteen, maybe fourteen. His fangs were longer. His eyes held no mischief. Only hunger.
A voice behind the camera whispered, “This is the exclusive. The one they buried.”
Then the boy turned. His mouth opened—not to speak, but to scream. But no sound came out. Instead, the screen flickered, and text appeared in a font that looked like dripping wax:
“In 2017, we almost made it right. Dark. Real. Before the studio changed everything.”
The video ended.
Within hours, it was gone. But the internet never truly forgets.
I first saw the clip on a late-night horror thread. My name is Leo, and I run a small podcast about lost media. At first, I thought it was a hoax. A fan edit. But the film grain was authentic. The shadows moved organically. And the boy—whoever he was—had a presence that felt too real.
I traced the clip’s metadata to a production company that went bankrupt in 2018: Nocturne Pictures. Their only credit was a failed pilot for a dark fantasy series. But buried in a bankruptcy filing was a line item: “The Little Vampire (2017 reboot) – exclusive test footage – destroyed per court order.”
Destroyed. Except someone had saved one reel.
I found the cinematographer, a woman named Elara Vance, living off-grid in Vermont. She agreed to meet me in a diner at midnight. She wore sunglasses inside.
“You saw the exclusive,” she said. It wasn’t a question.
“What was it? A reboot? A sequel?”
Elara stirred her coffee, though she never drank it. “In 2017, a small European studio bought the rights. They wanted to adapt the original books—but faithfully. The books were darker. The vampires weren’t cute. They were cursed. Immortal children who fed on loneliness as much as blood.”
She pulled out a folded photograph. It showed a boy on set, the same one from the clip. But behind him, in the shadows of the barn, stood three other figures. Adults. Except their eyes were black voids, and their smiles were too wide.
“Who are they?” I asked.
“The studio sent ‘consultants.’ Said they were method actors specializing in gothic horror. But they never ate. Never blinked. And every night after they arrived, the child actor—a boy named Milo—started changing. His teeth sharpened. His sleepwalking became violent.”
Elara lit a cigarette even though the diner had a strict no-smoking policy. No one stopped her.
“The exclusive was supposed to be a screen test. But something else was being tested. The consultants weren’t actors, Leo. They were the real thing. And they were looking for a new child to turn. The 2017 cut wasn’t a movie. It was a recruitment tape.”
I stared at the photo. One of the shadow figures had its hand on Milo’s shoulder. Its fingers were fused to his collar like roots.
“What happened to Milo?”
Elara finally removed her sunglasses. Her eyes were pale gold. Not human.
“They offered him eternity. He said no. So they buried the footage. But once every few years, someone finds it. The exclusive. And it finds them.”
She stood up. “You should delete everything, Leo. Burn the hard drive. And never—never—watch the clip again after midnight.”
She walked out into the fog. By the time I reached the door, she was gone. Only her coffee cup remained, filled not with coffee but with something dark and thick.
I drove home in silence. Deleted the file. Wiped my drives. But that night, I woke at 3:00 AM to find my laptop open. The clip was playing on a loop. And the boy on screen was no longer looking at the camera.
He was looking at me.
Behind him, in the barn, three new shadows had joined the others. They were smaller. Child-sized. And one of them wore my face.
The exclusive wasn’t lost media. It was a door. And in 2017, someone left it open just a crack.
Now, it’s your turn. If you see a file called “the little vampire 2017 exclusive” anywhere online—do not click play. Do not watch after midnight. And whatever you do, don’t watch it alone.
Because some stories don’t end. They wait.
The Little Vampire 2017 Exclusive: A Timeless Tale of Friendship and Acceptance
In a world where differences are often seen as weaknesses, it's refreshing to come across a story that celebrates individuality and promotes acceptance. "The Little Vampire" is a heartwarming tale that has captivated audiences for generations, and its 2017 exclusive release has introduced this beloved character to a new era of fans.
A Brief History of The Little Vampire
First introduced in 2000 by German author Angela Sommer-Bodenburg, "The Little Vampire" tells the story of a young boy named Rudolph who befriends a vampire named Luis. What starts as an unlikely friendship blossoms into a beautiful and poignant exploration of what it means to be different. The series has since been translated into numerous languages and has sold millions of copies worldwide.
The 2017 Exclusive Release
The 2017 exclusive release of "The Little Vampire" brings this timeless tale to a new audience, with updated illustrations and a fresh perspective. This special edition is a must-have for fans of the original series, as well as new readers who are looking for a story that will touch their hearts.
A Story of Unlikely Friendship
At its core, "The Little Vampire" is a story about friendship and acceptance. Rudolph, a young boy who is struggling to find his place in the world, befriends Luis, a vampire who is centuries old. Despite their differences, the two quickly form a strong bond, and their friendship becomes the foundation of the story.
Through their adventures, Sommer-Bodenburg explores themes of loneliness, isolation, and the human condition. Luis, as a vampire, is often shunned by society, and his existence is marked by solitude. Rudolph, on the other hand, is a young boy who is struggling to find his place in the world. Their friendship serves as a reminder that we are not alone, and that even in our darkest moments, there is always hope.
The Power of Acceptance
One of the most significant aspects of "The Little Vampire" is its exploration of acceptance. Luis, as a vampire, is often misunderstood and feared by those around him. However, Rudolph sees beyond Luis's supernatural nature and befriends him for who he truly is. This acceptance serves as a powerful reminder that we should not judge others based on their differences, but rather on their character.
In a world where diversity and inclusion are more important than ever, "The Little Vampire" serves as a timely reminder of the importance of acceptance. By embracing those who are different from us, we can build stronger, more compassionate communities that celebrate individuality.
A Timeless Tale for All Ages
"The Little Vampire" is a story that transcends age boundaries. While it is often classified as a children's book, its themes and messages resonate with readers of all ages. The story's exploration of complex emotions, such as loneliness, friendship, and acceptance, makes it a compelling read for adults as well.
The 2017 exclusive release of "The Little Vampire" is a testament to the enduring power of this timeless tale. With its updated illustrations and fresh perspective, this special edition is sure to captivate new fans and reintroduce this beloved character to a new generation of readers.
Conclusion
"The Little Vampire 2017 Exclusive" is a must-read for anyone looking for a story that will touch their heart. This timeless tale of friendship and acceptance is a powerful reminder of the importance of embracing those who are different from us. With its updated illustrations and fresh perspective, this special edition is a must-have for fans of the original series and new readers alike.
Whether you are a longtime fan of "The Little Vampire" or are just discovering this beloved character, the 2017 exclusive release is a story that will stay with you long after you finish reading it. So why not dive into the world of Rudolph and Luis and experience the magic of "The Little Vampire" for yourself?
Additional Information
FAQs
Where to Buy
"The Little Vampire 2017 Exclusive" is available for purchase at major online retailers, including Amazon, Barnes & Noble, and IndieBound. You can also find this special edition at your local bookstore or library.
Join the Conversation
Share your thoughts about "The Little Vampire 2017 Exclusive" on social media using the hashtag #TheLittleVampire2017Exclusive. Join the conversation and discuss your favorite moments from the story.
The Little Vampire (2017): Behind the Scenes of an Exclusive Animated Revival
When The Little Vampire 2017 was announced, fans of Angela Sommer-Bodenburg’s beloved book series and the cult-classic 2000 live-action film were buzzing. This 3D animated reimagining wasn't just a retelling; it was a high-energy, visually lush exclusive that aimed to introduce Rudolph Sackville-Bagg and Tony Thompson to a whole new generation.
In this exclusive look, we dive into what made the 2017 version a unique entry in the vampire genre and why it remains a family favorite. A Modern Take on a Classic Friendship
At its heart, The Little Vampire has always been about the unlikely bond between a mortal boy and a vampire. However, the 2017 film, directed by Richard Claus and Karsten Kiilerich, took an exclusive approach by leaning heavily into the "action-adventure" genre.
The 2017 animated feature The Little Vampire (also known as The Little Vampire 3D
) is a computer-animated adaptation of the beloved children's book series by German author Angela Sommer-Bodenburg.
Directed by Richard Claus and Karsten Kiilerich, this film serves as a vibrant, family-friendly reimagining of the story that famously hit live-action cinema in 2000.
Below is an overview of the film's plot, cast, and the unique trivia that makes this specific 2017 animated release stand out. 📖 The Plot: An Unlikely Bond
The story centers around Tony Thompson, a 13-year-old American boy who is on vacation with his parents in a rural, castle-rich area of Germany. Obsessed with monster legends and the undead, Tony's world flips upside down when he crosses paths with Rudolph, a genuine vampire.
Unlike traditional folklore monsters, Rudolph is also a teenager—at least in spirit, despite being 313 years old. Rudolph and his family are currently being ruthlessly hunted by Rookery, a notoriously obsessed vampire hunter. Tony and Rudolph form a fast friendship and team up to outsmart the hunter, save the vampire clan, and prove that humans and vampires can peacefully coexist. 🎙️ The Voice Cast
The 2017 feature brought together a strong ensemble of voice talent, blending legacy actors from the previous live-action iteration with new performers. Tony Thompson: Voiced by Amy Saville. Rudolph Sackville-Bagg: Voiced by Rasmus Hardiker.
Voiced by Jim Carter. (Carter famously played the physical role of Rookery in the 2000 live-action film.) Freda Sackville-Bagg:
Voiced by Alice Krige. (Krige also returned after playing Freda in the 2000 live-action version.) Voiced by Miriam Margolyes. Frederick Sackville-Bagg: Voiced by Tim Pigott-Smith. ✨ Exclusive Trivia & Fun Facts
To better understand how this 2017 release stacks up against its famous predecessor, here is a direct comparison between the animated film and the 2000 live-action cult classic:
Visually, the film blends practical effects with CGI in a way that aims to keep the uncanny at arm’s length — close enough to be intriguing, distant enough to be safe for children. Costume and set design use exaggerated, fairy-tale motifs, creating a stylized world that signals “not quite real” and thus allows for moral and emotional lessons to land without overwhelming younger viewers. The production choices emphasize warmth and accessibility over gritty realism, reinforcing the film’s pedagogical aims.
The Little Vampire 2017 Exclusive is not a separate creative work but a distribution artifact – a slightly shortened version of the 2017 CGI film, rebranded for specific digital retailers, primarily in the UK and Canada. Its runtime is reduced by approximately 4 minutes, with no narrative additions. The label “Exclusive” serves commercial rather than artistic purposes, capitalizing on licensing windows. This case study highlights a broader trend in children’s media: minor variant edits are repackaged as exclusive products, confusing audiences and complicating archival efforts. Future research should examine whether similar “exclusive” labels appear for other animated films of the same period (e.g., The Snow Queen franchise).
To understand the “Exclusive,” one must first know the base film. The Little Vampire 3D follows 13-year-old Rudolph Sackville-Bagg, a young vampire whose family is threatened by a vampire hunter. He befriends Tony Thompson, a human boy obsessed with vampires. Together, they seek an ancient amulet to lift a curse. The film runs approximately 82 minutes in its standard theatrical and home video release.
For collectors hunting for "The Little Vampire 2017 Exclusive" content, here is what is rumored to exist (but never released):
In the village of Bramblewick, lamps glowed like sleepy fireflies and the cobblestones remembered every footstep. Behind a row of crooked houses, a narrow alley led to a gate half-hidden by ivy. Children told stories that the gate only opened for those who kept secrets. On a night when the moon hung thin and silver, the gate sighed and a small shadow slipped through.
His name was Emil — the little vampire. He was no taller than a laundry basket, with ears that curved like the crescent moon and eyes the color of old coins. Emil wore a coat too big for him, stitched from midnight and patched with starlight. He did not bite. He collected sounds.
By day he hid in the hollow of an elder tree at the edge of the graveyard, where owls read poetry aloud and the wind hummed lullabies. By night he wandered the streets and listened. He loved the secret syllables of human life: the gurgle of baby laughter, the scrape of chairs at midnight tea, the hush that settles when two people remember they once loved each other. He tucked these sounds into jars made of willow bark and corked them with promises only he could hear.
One night, as the town slept under a quilt of fog, Emil heard a new sound — a small, stubborn sob, knotted with courage. It came from a window on Thimble Lane, where a pale girl named Mara sat watching the stars through a telescope too big for her bed. Mara had hair like a spilled cup of ink and a freckle constellation across her left cheek. She had moved to Bramblewick that autumn and carried a box of unplayed songs and unanswered questions.
Emil pressed his ear to the window and felt the sob unravel into a wish. Mara wished for a companion who could teach her the language of the night — not the scary parts told in cautionary tales, but the gentle grammar of moth-wings and midnight markets, the verbs of quiet bravery. Emil, who had always been shy about revealing himself, felt his tiny chest stutter like a moth against a lampshade. He had always thought of himself as a collector, not a companion. Yet the wish felt like a key, and keys have a way of unlocking even the most cautious hearts.
He tapped the glass with a finger cool as moonlight. Mara started. Her hand flew to the windowpane, and there, silhouetted against the sliver of moon, stood a creature smaller and stranger than any storybook villain. Emil bowed — a funny, formal thing that made his hat slip over one eye.
"Good evening," he said in a voice like wind through dry leaves. "I collect... sounds."
Mara laughed despite herself. "You almost made a wish-singer out of me," she replied. "Are you a fairy?"
"A kind of night-guest," Emil said. "May I come in? I promise not to eat your stew."
Mara opened the window a crack. Her room smelled of lemon soap and old paper. She slipped Emil a slice of toast warm from a toaster that belched polite sparks. Toast was not usually food for a vampire, but Emil savored it like a treasure, listening to each toothy crunch as if it were applause.
They spoke until the sky leaned toward dawn. Mara told Emil about the small cruelty of being new, of the way other children glanced and whispered as if she were a page torn from a book they couldn't read. Emil told Mara about the orchestra of night, about how street signs sing softly in rain and how cats speak in urgent bemusement when mice practice ballroom dancing. He showed her his jars: a jar that held the sound of a kite catching the wind, another that kept the laughter of a child who had leaped too far and landed in a pile of straw, one that contained the precise hush of someone about to forgive.
"But why do you keep them?" Mara asked, tracing the glass.
"They are reminders," Emil said. "So that if a night ever forgets, I can give it back."
Mara's eyes grew heavy with a thought. The town did sometimes forget: the baker forgot to leave a loaf for the widow; the coachman missed the way home; songs slipped from memory like pebbles rolling into a stream. What if these small vanishings could be replaced by a little vampire with jars?
They became conspirators. Each night, Mara and Emil tiptoed into pockets of the town that missed their small music. They hung jars beneath eaves where yawns had become too frequent, opened jars in the market so the vendors' calls would sound braver, and uncorked laughter beneath the hospital window where a father needed it most. Emil listened and released exactly what was needed: a hiccup of giggles, a note of courage, the exact pitch of kindness. the little vampire 2017 exclusive
Word of the little improvements spread in the way good weather does — quietly and with a smile. People began to leave small offerings at the ivy gate: a ribbon, a poem folded into a thimble, a scrap of music. None knew who collected the sounds, only that Bramblewick felt softer, like a well-loved sweater.
But nights are not only soft. A new landlord arrived in a carriage lacquered black. He set about "improving" Bramblewick with lists and plans that flattened hedges and hair and laughter. He declared no moonlight after midnight by decree and planned to pave over the elder tree. The village sighed; it knew how to whisper resistance but not how to shout. Mara's cheeks grew pinched with worry. Emil, whose small body held a large heart, felt something he had never named — fear that the jars would break, that the world would be polished until all the lovely frayed edges were gone.
They decided on mischief subtle enough to be labeled charm. Emil would sneak into the manor where the landlord kept his ledger and swap tiresome proclamations for sonnets in the margins. Mara would place jars on the windowsill of the town criers so the announced edicts smelled of woodsmoke and rye bread, making people more likely to listen with warmth than fear.
The night they needed the most courage, the wind turned to a conspirator. Emil cloaked himself in a shawl of fog and slipped into the manor as a shadowed button on the coat of a passing dog. There, behind curtains heavy as closed eyes, the landlord sat polishing his plans with a frown. Emil's fingers trembled but did not fail. He opened a jar labeled "Old Lullaby" and let it spill — a tune woven from mothers' hums and long afternoons. The melody tangled with the landlord's resolve, and for the first time in years he blinked and smiled at the memory of a rocking chair he had once had as a child.
At dawn the landlord found his decree rewritten in looping script, not with dry laws but with suggestions: plant trees, host a night market, encourage music. He told no one where the words came from, only that his heart felt oddly lighter. The elder tree stayed.
Not all nights were saved by magic and music. Once, a storm came that howled like an old thing remembering its teeth. A child's window slammed shut and cracked. The town awoke to splinters and trembling. Emil could not mend wood nor stitch glass. But he could listen. He collected the storm's own apology — a ragged, sincere sound — and released it beneath the boy's pillow. The apology mingled with dreams and the child's courage unwound like a spool; by morning the boy stood by the cracked window and declared he would fix it himself. The town helped, and the repaired pane held more light than before.
Years softened the edges of childhood into the comfortable shapes of adulthood. Mara learned the names of constellations and the recipes of great-grandmothers. Emil grew bolder in the ways of friends; he shared jars now without counting, leaving tiny gifts on doorstep steps. They taught one another that being unseen was not the same as being unimportant.
One autumn, when the leaves were the color of copper coins, Mara's family left for a distant city where stars shone differently. She packed her telescope and, at the last moment, stole a jar — the jar that held the sound of permission. At the gate she hugged Emil with arms too long and too brave.
"Promise you'll listen for me," she said.
"I promise," Emil replied, and he meant it like a vow.
Mara left and the town turned through seasons. Emil kept listening. He added new jars: the sound of a streetlamp turning on after a long outage, the exact note of someone saying "I'm sorry" for the first time, the small roar of a child opening a library card. He learned that listening was also a language of returning — to the people who needed what he had kept.
Years later, a letter arrived at Emil's tree, folded into a paper swallow. The handwriting was smaller but the freckle constellation had inked itself into each curve. Mara had become a sound collector of her own, she wrote, traveling theatres that performed plays for midnight audiences. She sent him a song that smelled of train smoke and new books.
Emil listened. He uncorked the jar labeled "First Day Back" and let it pour over the village. Bramblewick yawned and, just for a moment, remembered every small brave thing it had ever been. The elder tree hummed as if its roots were applauding.
As the moon passed its silver hand across the sky, Emil sat by the gate and watched the world. A child skipped by with knees scabbed and brave, a cat negotiated the day like a tiny diplomat, and a couple argued, then laughed; they would live to tell the story of why the argument had been worth having. Emil's jars glinted in the dark, not as hoarded wealth but as a pantry of possibility.
Now and then, when storms came or people forgot to be kind, the little vampire would slip through unlatched windows or suggest a sonnet to a man polishing his ledger. He never sought thanks. He collected not to keep but to give. That was his quiet revolution: the idea that if you gather the small fragments of light people drop, you can sew a town back together with thread finer than sunshine.
And if you walk past the ivy gate of Bramblewick on a thin-mooned night and hear a pocket of laughter that sounds exactly like toast, or the precise hush of forgiveness, tip your hat or whisper a thanks. Some nights, if you listen very carefully, you might hear a tiny voice that sounds like wind through coin, saying, "There—now the night remembers."
The End.
The 2017 animated film The Little Vampire 3D is a family-friendly reboot based on the popular children's book series by Angela Sommer-Bodenburg. This guide covers the key details for fans and parents looking for information on this specific version. Core Story & Characters
The Meeting: The story follows Rudolph, a 13-year-old vampire, and Tony, a 12-year-old human boy obsessed with legends.
The Conflict: Rudolph's family is being hunted by the ruthless vampire hunter Rookery. Tony joins forces with Rudolph to save the vampire clan.
The Goal: Unlike traditional horror, these vampires only drink animal blood and seek a magical amulet to potentially become human again. Parental Guide (Age 6+)
Tone: Generally child-friendly and lacks traditional horror elements.
Ghoulish Imagery: Parents should note the inclusion of vampire cows, a child locked in a crypt, and stakes through the heart.
Scare Factor: Reviewers from Common Sense Media suggest that while some kids may find the ghoulish atmosphere fun, more sensitive viewers might find specific scenes involving dead mice or graveyards slightly upsetting. Where to Watch
Streaming: You can currently find the animated version on Netflix in various regions.
Comparison: Be careful not to confuse this with the 2000 live-action film, which is often available for free on platforms like Tubi. Sequel News
A sequel, tentatively titled The Little Vampire 2, is reportedly in development for a 2025-2026 release, following Tony and Rudolph on a new adventure to a German carnival. The Little Vampire 3D (2017) - IMDb
The 2017 3D animated version of The Little Vampire (also known as The Little Vampire 3D) remains a curious "exclusive" in the series' history, serving as a CG remake of the 2000 live-action film while leaning more heavily into the original characters from Angela Sommer-Bodenburg’s books. The "Exclusive" Feel: Why It Stands Out
Unlike the nostalgic 2000 film, the 2017 version has gained a unique cult following on platforms like Tumblr and TikTok due to its stylized animation and perceived character dynamics.
Character Evolution: The film features designs by renowned artist Lois van Baarle (Loish), giving the vampires a sleek, modern look that fans have celebrated for its "cartoony" charm.
A New Rudolph and Tony: The core story remains the bond between the mortal Tony Thompson and the young vampire Rudolph Sackville-Bagg, but fans often point out that this version explores their companionship with more intimacy, leading to significant fan-driven discussions about queer-coded metaphors.
The Humor & Action: It keeps the series' signature quirks, like the infamous flying vampire cows, but adds more high-octane 3D action scenes, such as Rudolph and Tony flying together. Critical Reception vs. Fan Hype
While some longtime fans of the original movie found it "cheesy" or "boring" compared to the live-action version, newer audiences appreciate its stunning animation quality for buildings and scenery. Some character designs I did for The Little... - loish blog
The short answer is no. The 2017 Exclusive cut is not on Netflix, Hulu, or Disney+. Richard Claus has since moved on to produce The House of Magic 2 (2022). In a 2023 interview with Kino.de, he stated: "The Little Vampire is owned by three different companies now. The 2017 footage is locked in a hard drive in a law firm in Cologne. It will likely never see the light of day."
However, in a twist of fate, a different reboot emerged in 2023: a Dutch animated series titled De Kleine Vampier. But fans agree—it lacks the gothic edge of the lost 2017 exclusive.