The Heavy The House That Dirt Built 2009 Flac Work -
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"The House That Dirt Built" by The Heavy stands out as a notable release in the late 2000s blues-rock scene. If you're a fan of soulful, energetic rock music with a vintage feel, this album might be right up your alley.
The 2009 album The House That Dirt Built by the British rock band The Heavy stands as a pivotal moment in the late 2000s indie-soul and garage-rock revival. Released on October 5, 2009, through Ninja Tune's Counter Records, the record successfully transitioned the band from a sample-driven studio project into a formidable live-oriented rock ensemble. A Masterclass in Genre-Bending
Produced and mixed by Jim Abbiss, known for his work with Arctic Monkeys and Adele, the album is characterized by its restless "genre-hopping". It serves as a gritty, high-energy "gumbo" of musical styles:
Garage & Blues Rock: Tracks like "Oh No! Not You Again!" feature monstrous, Stooges-inspired riffs.
Retro Soul & Funk: "How You Like Me Now?"—arguably the band's most recognizable hit—leans heavily into James Brown-esque bravado and Stax-style horn sections.
Voodoo & Psychedelia: "Sixteen" samples Screamin' Jay Hawkins' "I Put a Spell on You," creating what critics described as a "haunted carnival" atmosphere.
Cinematic Influences: "Short Change Hero" draws from Spaghetti Western soundtracks, eventually becoming a cult favorite after its use in the Borderlands 2 video game. Themes and Production The Heavy's The House That Dirt Built: A Funky Rock Gem
Released on October 5, 2009, The House That Dirt Built is the second studio album by the British rock band The Heavy. It is widely recognized for its high-energy blend of garage rock, retro soul, and hip-hop beats. Lossless Quality and FLAC
For those seeking the highest audio fidelity, the album is available in FLAC (Free Lossless Audio Codec) format through high-resolution music platforms like Qobuz. You can also purchase a digital version directly from the band's official Bandcamp page, which offers multiple lossless formats. Key Tracks and Cultural Impact
The album gained massive popularity through its use in movies, television, and video games:
"How You Like Me Now?": The album's breakout single, featured in films like The Fighter, Ted, and Horrible Bosses. the heavy the house that dirt built 2009 flac work
"Short Change Hero": Best known as the theme for the video game Borderlands 2 and the TV series Strike Back.
"Sixteen": A moody track that famously samples Screamin' Jay Hawkins' "I Put a Spell on You". Full Tracklist
The standard release includes 11 tracks (some versions list the first as an intro): The House That Dirt Built (Intro) Oh No! Not You Again!! How You Like Me Now? Sixteen Short Change Hero No Time Long Way From Home Cause For Alarm Love Like That What You Want Me To Do? Stuck Where to Buy The House That Dirt Built | The Heavy - Bandcamp
Released on October 5, 2009, The House That Dirt Built is the second studio album by the British band The Heavy. Shifting away from the sample-heavy hip-hop roots of their debut, this record presents a "full band" sound that blends garage rock, retro soul, and gritty blues with visceral intensity. Musical Style & Performance
The album is a "stylistic grinder" that hops across genres including soul, punk, rockabilly, and even reggae.
Frontman Kelvin Swaby: Reviewers from PopMatters and the BBC praise Swaby’s versatile vocals, which range from a "Mayfield falsetto" to an "Otis Redding bellow".
Instrumentation: The sound is defined by "metallic drums," "sexed-up horns," and a thick, swampy bass that creates a cinematic, "Tarantino-esque" atmosphere. Key Tracks
The record is best known for its high-energy singles that became staples in pop culture:
"How You Like Me Now?": A powerhouse track featuring a James Brown-style hook and ferocious swagger. It became ubiquitous in commercials and films like The Fighter.
"Short Change Hero": A soulful, "spaghetti western" themed track that gained massive popularity as the opening theme for the video game Borderlands 2.
"Sixteen": A "haunted carnival" waltz inspired by Screamin’ Jay Hawkins’ "I Put a Spell on You". Many searches lead to obscure blogs or torrents
"Oh No! Not You Again!": A short, explosive blast of garage rock influenced by The Stooges. FLAC & Production Notes The Heavy The House That Dirt Built Review - Music - BBC
The House That Dirt Built is the second studio album by the English indie rock band The Heavy, released on October 5, 2009. Produced by Jim Abbiss (known for his work with Arctic Monkeys and Adele), the album transitioned the band from their sample-based debut toward a more raw, full-band sound that blends garage rock, soul, funk, and blues. Album Tracklist The standard version of the album consists of 11 tracks: The House That Dirt Built (Intro) (0:19)
Oh No! Not You Again!! (1:54) — A high-energy, thundering blues-rock opener.
How You Like Me Now? (3:38) — The band's most famous track, featuring the Dap-Kings Horns and a sample from Dyke & the Blazers.
Sixteen (3:02) — Samples Screamin' Jay Hawkins' "I Put a Spell on You".
Short Change Hero (5:22) — A "voodoo swamp revue" style track widely recognized as the theme for Borderlands 2. No Time (4:31) Long Way from Home (3:19)
Cause for Alarm (4:44) — A reggae/2 Tone-influenced track. Love Like That (2:39) — A retro-soul "good-time" effort. What You Want Me to Do? (3:23) Stuck (5:27) — A lush, string-arranged closing ballad. Cultural Impact & Licensing
The album gained significant commercial success through its frequent use in media:
"How You Like Me Now?" has appeared in films like The Fighter, Horrible Bosses, and Ted, as well as television series like Suits.
"Short Change Hero" is famously the opening theme for the video game Borderlands 2 and the TV series Strike Back. Critical Reception The House That Dirt Built - Album by The Heavy | Spotify
The Heavy's 2009 album, The House That Dirt Built , is a masterclass in genre-blending that solidified the band's reputation as architects of "vintage rock revival done right". Released on October 5, 2009, through Counter Records "The House That Dirt Built" by The Heavy
, the album represents a shift from their sample-heavy debut toward a more cohesive, live-band sound. A Foundation of "Dirt" and Soul
The album’s title refers to the nursery rhyme "This Is the House That Jack Built," but here the "dirt" signifies a scuzzy, unrefined production style that grounds its diverse influences. Critics have noted that while the band jumps between garage rock, soul, and funk, the "dirty" production ensures it sounds like the work of a single, focused unit. Lead singer Kelvin Swaby provides the emotional core, channeling the swagger of James Brown and the grit of Screamin' Jay Hawkins. The Heavy - The House That Dirt Built (album review )
To understand why the FLAC format is essential for this album, we must first understand the sonic palette of The House That Dirt Built.
Produced by Chris Ellul (also the band’s drummer) and mixed by the legendary Dave Sardy (Oasis, Rage Against the Machine), the album is a Frankenstein’s monster of genres:
The 2009 factor is crucial. This was the tail end of the "Loudness War," but The Heavy deliberately resisted brick-wall limiting. The 2009 masters contain headroom—dynamic range that later remasters (or streaming versions) sometimes squash. If you find a 2009 digital rip in FLAC, you are hearing the album as it sounded the moment it left the pressing plant.
For those interested in audio quality, the album is available in FLAC (Free Lossless Audio Codec) format, which provides high-quality audio without the loss of detail that can occur with compressed formats like MP3. FLAC files are often sought after by audiophiles for their purity and clarity.
Why 2009? Re-pressings and remasters (e.g., 2015 vinyl rips or 2020 streaming "remasters") often alter the EQ—adding more high-end or brick-wall limiting. Pristine 2009 FLAC refers to the original CD master, which is widely considered the most balanced version.
FLAC (Free Lossless Audio Codec) is a high-resolution audio format that retains all original CD-quality data (typically 16-bit / 44.1 kHz for this album). It is the preferred format for audiophiles and archiving because it is lossless – unlike MP3, no sound quality is sacrificed.
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