Rihanna - Anti -deluxe- -2016-album-
The deluxe version of ANTI comprises 16 tracks (including the intro and bonus songs). Here is how they reshape the listening journey.
A 2-minute snippet that mashes up Florence + The Machine’s “Only If For a Night” with a Rihanna vocal loop. It is atmospheric and pointless in the best way—art for art’s sake.
Released in January 2016, ’s eighth studio album, ANTI, stands as her most experimental and critically acclaimed work, marking a definitive pivot from "singles-driven pop star" to "album-oriented artist". Artistic Evolution: "I Got to Do Things My Own Way"
After a prolific run of releasing seven albums in eight years, Rihanna took a three-year hiatus before ANTI to pursue complete creative control. The opening line of the album on "Consideration"—"I got to do things my own way darling"—served as a manifesto, signaling her departure from radio-ready formulas toward a more personal, "raw" sound.
Creative Autonomy: This was the first project where Rihanna had full reigns over the sonic direction, resulting in an "eclectic mess of pop exertion".
Genre-Defying Production: The album is characterized by a dark, sparsely layered, and lo-fi aesthetic. It seamlessly blends trap, dancehall, psychedelic soul, and 1950s-inspired doo-wop. Key Tracks and Themes
Here’s a concise review of Rihanna – ANTI (Deluxe) (2016):
Overall Verdict:
ANTI isn’t a conventional pop album. It’s bold, experimental, and intentionally loose — a sharp departure from her earlier dance-pop and club-heavy hits. The deluxe edition adds three extra tracks that complement the album’s introspective, genre-fluid mood without feeling like filler.
Sound & Production:
The production leans into soul, R&B, rock, and even psychedelic elements. Tracks range from the gospel-tinged “James Joint” to the haunting, Tame Impala-sampling “Same Ol’ Mistakes.” It’s less about radio smashes and more about atmosphere, texture, and vulnerability.
Standout Tracks (Deluxe):
Weaknesses:
A few tracks (“Woo,” “Close to You”) feel underdeveloped or meandering. The album lacks the immediate hooks of Good Girl Gone Bad or Loud, which can alienate listeners expecting classic pop Rihanna.
Final Score: 8/10
ANTI is her most artistic and personal album — a messy, confident, and rewarding listen that improves with age. The deluxe version adds just enough without overstaying its welcome. Not for casual fans chasing “Umbrella 2.0,” but essential for anyone who appreciates an artist evolving on her own terms.
Released in early 2016, marked a radical departure for Rihanna, shifting from her established role as a "singles machine" to a respected album artist Rihanna - ANTI -Deluxe- -2016-Album-
. While her previous records often felt like collections of radio-ready hits,
is a cohesive, experimental body of work that prioritizes artistic expression over commercial safety. The Sound of Rebellion
The album rejects the high-gloss EDM and pop-dance sounds of her earlier eras in favor of a gritty, psychedelic, and soulful landscape. Genre-Blurring:
From the lo-fi R&B of "Consideration" (featuring SZA) to the psychedelic rock of "Same Ol’ Mistakes"—a six-minute cover of Tame Impala—the album is a sonic collage. Vocal Showcases:
Rihanna delivers some of her most raw and technically impressive vocals to date. "Higher" is a standout for its strained, "drunk" vulnerability, while "Love on the Brain" is a powerhouse doo-wop soul ballad. The Lead Single:
"Work" served as the album’s biggest commercial anchor, leaning into Rihanna’s Caribbean roots with a repetitive, "post-language" hook that became a global phenomenon. Deluxe Tracks
The Deluxe edition adds three tracks that further round out the album's moody atmosphere: "Goodnight Gotham": A brief, cinematic interpolation of Florence + The Machine.
An aggressive, trap-heavy club track that returns to the "Bad Gal" persona. "Sex with Me":
A fan-favorite mid-tempo track that reinforces the album's themes of female sexual agency. Visual and Cultural Impact
Rihanna Album Review: Anti Is Anti-Pop—And That's ... - Vogue
Rihanna’s ‘ANTI’: The 2016 Deluxe Album That Redefined Pop
Released on January 28, 2016, Rihanna’s eighth studio album, ANTI, served as a radical departure from her previous chart-topping pop formula. Abandoning the high-energy dance-pop of her earlier career, the project embraced a "masterpiece" mentality focused on creative freedom and artistic maturity. The Deluxe Edition, which includes three essential bonus tracks, has since been hailed as her magnum opus. The Sound of Rebellion: A Genre-Bending Journey The deluxe version of ANTI comprises 16 tracks
ANTI is a moody, mid-career reinvention that explores a "hazy playground" of genres, including R&B, soul, rock, and dancehall. Go to product viewer dialog for this item. Rihanna - Anti
In 2016, Rihanna released ANTI, her eighth studio album, and in doing so, she committed a radical act for a pop superstar: she refused to be predictable. Following a string of commercially dominant albums like Good Girl Gone Bad (2007), Loud (2010), and Unapologetic (2012)—each laden with chart-topping dance-pop and club anthems—ANTI arrived as a deliberate and often jarring left turn. The deluxe edition, featuring four additional tracks including the moody “Goodnight Gotham” and the soulful “Sex with Me,” only deepens the album’s central thesis: that artistic freedom and emotional authenticity are more valuable than another number-one single. With ANTI, Rihanna dismantled her own hit-making machinery and rebuilt herself as a singular, uncompromising album artist.
The most immediate shift on ANTI is sonic. Gone are the euphoric, EDM-infused beats of We Found Love or the polished pop-R&B of Diamonds. In their place is a rugged, textured, and genre-defying landscape. The album opens with “Consideration” (featuring SZA), a defiant, skittering track built on a warped synth loop and Rihanna’s unmistakable proclamation: “I got to do things my own way, darling.” It serves as a mission statement. From there, ANTI weaves through smoky, sampled-heavy ballads (“James Joint,” an interlude that feels like a haze of marijuana and introspection), 1970s soul revivalism (“Kiss It Better”), and even stark, piano-driven vulnerability (“Close to You”). The deluxe edition adds “Goodnight Gotham,” a brooding, two-minute soundscape built on a Florence + The Machine sample, reinforcing the album’s fascination with fractured beauty. This is not background music for a club; it is headphone music for a rain-soaked drive at 2 a.m.
Lyrically, ANTI trades in ambiguity and contradiction. Rihanna rejects the role of the lovelorn pop star or the empowered club queen, instead exploring the messy, often unglamorous space in between. “Love on the Brain” channels doo-wop and vintage rock-and-roll grit as she sings of a love that is both addictive and physically damaging, her voice raw and strained with real agony. “Needed Me,” one of the album’s most defining tracks, flips the narrative of romantic revenge on its head; over a minimalist, haunting beat, she dismisses a former lover as a disposable “thot” and asserts her own sexual and emotional independence with cold, unforgettable clarity. The deluxe track “Sex with Me” continues this unapologetic celebration of autonomy—explicit, playful, and utterly indifferent to judgment. Yet, ANTI also houses devastating tenderness: “Never Ending” captures the quiet, obsessive ache of new love, while “Higher” finds Rihanna’s voice cracking and slurring, as if recorded after one too many glasses of whiskey, confessing raw need. This emotional volatility—the willingness to sound ugly, desperate, or cruel—is what makes ANTI feel less like a product and more like a confession.
The album’s most celebrated and controversial track, “Work” (featuring Drake), epitomizes this tension. On the surface, it was a massive radio hit, propelled by its infectious, patois-laden hook. But beneath the dancehall groove lies a song about failed communication, emotional labor, and the frustration of a love that demands constant effort without genuine connection. Rihanna repeats “Work, work, work, work, work” not as a celebratory chant but as an exhausted sigh. It is a pop song that sounds like a plea. Similarly, the deluxe edition’s inclusion of “Pose” (a brash, minimalist anthem of self-assurance) and the desolate “Sex with Me” shows that Rihanna was less interested in curating a seamless listening experience than in capturing the full, contradictory spectrum of her personality.
Culturally, ANTI arrived as a landmark moment for the “album as statement” in the streaming era. Released initially via a controversial partnership with Samsung (giving away one million copies for free), it debuted at number one on the Billboard 200 despite a slow radio-burn. It proved that a major pop star could prioritize artistry over instant commercial gratification. Moreover, ANTI paved the way for a generation of pop and R&B artists—from The Weeknd to SZA to H.E.R.—who would embrace murky production, introspective lyrics, and a rejection of genre purity. It showed that vulnerability and abrasiveness could coexist with superstar status.
In the end, ANTI (Deluxe) is not an album about being perfect, powerful, or polished. It is an album about being real—real angry, real lonely, real sensual, and real tired of pretending. Rihanna took her greatest commercial asset, her voice, and used it not to belt, but to whisper, slur, snarl, and drift. The result is her most personal and most enduring work: a portrait of an artist who, for the first time, stopped trying to please everyone and, in doing so, finally spoke directly to us. As she sings on “Consideration,” she made it clear that she would no longer “let the machine get the best of me.” And with ANTI, the machine lost.
The Rebirth of Robyn: A Decade of Released on January 28, 2016 , Rihanna’s eighth studio album,
, was more than just a musical pivot—it was a declaration of independence. Shifting away from the high-octane "hit factory" formula of her previous work, Rihanna delivered a project that prioritized artistic depth, emotional honesty, and raw vocal texture over radio-readiness. Ten years later,
stands as a definitive 21st-century classic, marking the moment the Barbados-born singer transitioned from a pop sensation to a global mogul. A Bold Departure from the Pop Paradigm
, Rihanna was known for delivering clockwork-precision singles like "Umbrella" and "Diamonds". famously rejected that pace. It arrived as a hazy, moody, and experimental body of work
, fusing neo-soul, dancehall, and alternative rock into a cohesive atmosphere. Weaknesses: A few tracks (“Woo,” “Close to You”)
Critics originally were divided on its "unfocused" tracklist, but fans and long-term analysis have praised its meticulous curation
. Rihanna served as executive producer, working with a wide-ranging roster of collaborators, including Jeff Bhasker, No I.D., and Timbaland
, to ensure every line felt intentional and "masterpiece" quality. The Deluxe Experience: Expanding the Soundscape Deluxe Edition
added three bonus tracks that further showcased Rihanna's versatility and confidence:
Released in early 2016, is Rihanna's eighth studio album and her first after leaving Def Jam Recordings
. It marked a radical departure from her radio-friendly dance-pop hits, instead favoring a "hazy, reflective" sound with raw vocal performances. Rihanna has since called it her favorite album
of her own discography, noting she can listen to it from "top to bottom with no shame". www.treblezine.com Core Identity & Concept Title Meaning
: Rihanna defined "Anti" as "a person opposed to a particular policy, activity, or idea," signaling her resistance to pop industry expectations. Art & Braille : The cover art, created by Israeli artist Roy Nachum
, features a young Rihanna with a gold crown over her eyes. It includes a poem titled "If They Let Us" by Chloe Mitchell embossed in Braille. Vocal Evolution
: Critics highlighted the album's emphasis on Rihanna's vocals, which shifted from polished pop to a raspier, soulful, and more emotionally dense tone. en.wikipedia.org
Rihanna's ANTI is perplexing in a better way than usual | Treble 02-Feb-2016 —
The “Deluxe” distinction is crucial. While the standard edition ends feeling slightly exhausted, the bonus tracks add a victory lap.