The Best Is Yet To Come (2011) in FLAC format is a high-fidelity representation of Laura Fygi’s sophisticated vocal jazz style. For archivists and audiophiles, this lossless version is the definitive digital edition, preserving every nuance of the original mastering. Casual listeners may find MP3 sufficient, but FLAC unlocks the album’s full sonic warmth—making it a valuable asset in any serious jazz or vocal pop collection.
Recommendation: If acquiring this FLAC release, verify the source (official download, CD rip with logs, or a reputable HD store) to ensure it is not a transcode from a lossy source. For playback, use a DAC and quality headphones/speakers to appreciate the lossless benefits fully.
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Here’s a suggested text suitable for a catalog, review, or personal music library note regarding Laura Fygi - The Best Is Yet To Come (FLAC, 2011):
Laura Fygi – The Best Is Yet To Come (2011, FLAC)
Dutch jazz vocalist Laura Fygi delivers a warm, sophisticated listening experience with her 2011 album The Best Is Yet To Come. True to its title, the record radiates optimism and timeless elegance, blending classic jazz standards with carefully chosen pop and bossa nova influences.
This FLAC version preserves the full richness of Fygi’s contralto voice—velvety, controlled, and intimately expressive. Backed by lush, unobtrusive arrangements, tracks like the title song “The Best Is Yet To Come,” “Bésame Mucho,” and “I Only Have Eyes for You” benefit from the lossless format’s clarity, revealing subtle instrumental detail (warm double bass, soft brushwork, delicate piano phrasing) that might be lost in compressed formats.
For audiophiles and jazz-pop enthusiasts, this 2011 release marks a confident, mature chapter in Fygi’s career—proof that even when revisiting classics, the best can indeed be yet to come.
Recommended for: evening listening, vocal jazz collections, FLAC-based high-fidelity setups.
Laura Fygi - The Best Is Yet To Come (2011) is a landmark release marking the 20th anniversary of Fygi's solo career. As her 12th studio album, it notably represents her first-ever full recording session backed by a complete Album Overview
The album features Fygi's interpretations of timeless jazz standards originally popularized by icons like Frank Sinatra, Tony Bennett, and Peggy Lee
. Recorded with a full-sized big band led by arrangers Jan Menu and Johan Plomp, the production captures a grand, classic sound that Fygi had long desired to capture on record. Frequently sought in FLAC (Free Lossless Audio Codec)
to preserve the rich, audiophile-grade detail of the big band arrangements. Mandarin Special:
The album includes a unique Mandarin-language bonus track, " Rose, Rose, I Love You Tracklist Highlights
The album delivers 13 tracks that blend smooth vocal jazz with high-energy big band swing. The Best Is Yet To Come (Title Track)
– A reimagined, softer version of the Charlie Chaplin classic. Too Darn Hot
– Features a scorching brass section inspired by the style of Buddy Rich. I've Got A Crush On You This Can't Be Love Cheek To Cheek
– Distinctly re-imagined as a "three-alarm blaze" rather than a simple Peggy Lee imitation. That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Why It's a Must-Listen
Reviewers highlight Fygi's ability to maintain her "feisty sense of self-reliance" while swinging easily through these grand arrangements. Her voice, often compared to Julie London
for its smoldering intensity, takes on a broader range in this big-band setting, making it a standout for fans of traditional vocal jazz and high-fidelity recordings. Further Exploration
Read a professional review of the album's vocal style and arrangements at View the full release credits and track durations on
Explore Laura Fygi's thoughts on the "storytelling" aspect of these songs on Amazon Music Laura Fygi's other jazz collaborations or where you can find her live performances Laura Fygi: The Best Is Yet to Come - JazzTimes
Released in 2011, "The Best Is Yet to Come" is the 12th studio album by Dutch jazz vocalist Laura Fygi. It is a landmark release in her career, marking the 20th anniversary of her solo debut and serving as her first-ever session recorded with a full-sized big band. Album Overview Laura Fygi – The Best Is Yet To Come - Discogs Laura Fygi - The Best Is Yet To Come -FLAC- -2011-
Released in 2011, The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi. It stands as a significant milestone, marking the 20th anniversary of her solo career.
While Fygi had explored various genres—including Latin, chanson, and pop—this album was a fulfillment of a long-term professional dream: recording with a full-sized big band. 🎶 The Musical Concept
The album is a high-fidelity tribute to the "Golden Age" of jazz, featuring sophisticated arrangements of Great American Songbook standards.
The Big Band Sound: Arranged and produced by Jan Menu and Johan Plomp, the settings were designed to recall the iconic collaborations of Frank Sinatra and Peggy Lee with legendary arrangers like Billy May.
Vocal Style: Fygi, often compared to Julie London for her "husky" and intimate tone, utilized this album to showcase a wider range and sharper interpretive skill than her previous, more minimalist works. 📜 The Tracklist Story
Every song on the album was selected because it held a personal meaning for Fygi, who considers herself a "storyteller" first.
"Too Darn Hot": Fygi famously drew on her experiences performing in the intense heat of Asia to capture the essence of this Cole Porter classic.
"Rose, Rose, I Love You": A standout bonus track on certain editions, she performs this classic partially in Mandarin, a nod to her massive popularity in the Asian market where she is often hailed as a "Jazz Queen".
"Smile": A heartfelt rendition of the Charlie Chaplin standard, featuring a trumpet solo by Ruud Breuls. 💎 The Audiophile Connection Laura Fygi – The Best Is Yet To Come - Discogs
Musical Performance: 7.5/10 – Consistently pleasant and well-sung, but rarely breathtaking.
Recording Quality (Original): 8/10 – Good to very good, though early tracks show age.
FLAC Transfer/Mastering (2011): 9/10 – Faithful, dynamic, and transparent. A reference-quality digital edition.
Overall Value: 8/10 – For a compilation, it’s an excellent introduction to Fygi’s catalog and a sonic treat in FLAC.
The Best Is Yet To Come will not convert skeptics, but for fans of sophisticated, easy-swinging vocal jazz, this FLAC release is a warm, high-resolution portrait of an understated artist at her most representative. The title promises optimism, and the music delivers comfort—especially when heard in pristine, lossless fidelity late on a quiet evening.
Recommended for purchase in FLAC format only if you have the playback equipment to appreciate it. Otherwise, the CD or high-bitrate MP3 will serve you nearly as well.
Headline: Sophistication in High Fidelity: Revisiting Laura Fygi’s 2011 Masterpiece, The Best Is Yet To Come
In the vast landscape of audiophile jazz and pop, few names command as much respect for sheer sonic elegance as Laura Fygi. For decades, the Dutch singer has been a benchmark for vocal clarity and stylistic grace. But in 2011, she released a project that served as both a summation of her career and a masterclass in audio engineering. Titled The Best Is Yet To Come, the album remains a coveted item for collectors, particularly those hunting the lossless FLAC version that does justice to its pristine production.
A Dutch Diva’s American Heart
Laura Fygi occupies a unique space in music. Born in Amsterdam to a Dutch father and an Egyptian mother, she rose to prominence in the 1980s with the girl group Centerfold before pivoting to a solo career defined by jazz standards and sophisticated pop. By 2011, she was already an icon in the Asian market (particularly in Japan and China) and a darling of the hi-fi community in Europe.
The Best Is Yet To Come was not just another album in her discography; it was a statement. Released during a period where the music industry was aggressively pivoting to compressed, digital streaming, this album was a love letter to the golden age of recording. It was engineered for the discerning ear—specifically, the audiophile.
The Audiophile’s Dream: Why FLAC Matters Here
The specific interest in the FLAC (Free Lossless Audio Codec) version of this 2011 release is not trivial. To listen to this album in MP3 format is to see a masterpiece painting through a smudged window. Fygi’s voice is famously intimate; she possesses a technique that allows her to whisper and belt with equal clarity, creating a "presence" in the recording studio that engineers strive to capture.
In the FLAC format, the 2011 release offers a dynamic range that breathes. The stand-up bass doesn't just sound like a note; it sounds like wood and vibrating strings. The brushwork on the snare drum has texture. When Fygi sings the title track, a classic associated with Frank Sinatra, the lossless audio captures the air in the room and the subtle resonance of her vocal cords. For audiophiles, this album is often used as a "reference track" to test speaker quality—specifically the separation of mid-range frequencies where the human voice lives.
The Song Selection: Familiar Yet Fresh
The tracklist of The Best Is Yet To Come reads like a primer on the Great American Songbook, but Fygi approaches these standards with a European sense of cool. The Best Is Yet To Come (2011) in
She tackles "Come Fly With Me" with a lightness that contrasts Sinatra’s swinging bravado, offering a sense of invitation rather than command. On "Smile," the Charlie Chaplin classic, she strips away the orchestration to let the melody's inherent melancholy shine through.
However, the standout moment on the album—and arguably the reason it remains a staple in high-fidelity demo rooms—is her rendition of "That's Life." She reinvents the normally gritty, bluesy anthem into a sophisticated, upbeat bossa nova-influenced arrangement. It is a stroke of genius that only Fygi could pull off, proving that a song can be reimagined without losing its soul.
The 2011 Context
The year 2011 was an interesting time for Fygi. Having sold millions of records worldwide, she had the artistic freedom to record exactly what she wanted. This album felt like a passion project. It wasn't chasing trends; it was cementing a legacy. The production is lush but never crowded, allowing the "air" around the instruments to remain audible—a hallmark of quality jazz recording.
The Verdict
The Best Is Yet To Come stands as one of the pillars of Laura Fygi's extensive catalog. It represents the intersection of technical perfection and emotional storytelling. While the pop charts of 2011 were dominated by auto-tune and electronic beats, Fygi was preserving the art of natural acoustics.
For music lovers, finding the FLAC version of this album is akin to finding a rare vintage wine. It is an experience that demands you sit down, turn off the lights, and let the sound wash over you. It reminds us that in an era of disposable digital noise, true artistry—and the best listening experiences—are indeed yet to come.
The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi
, released in February 2011 to celebrate her 20th anniversary as a solo artist. This project marks a significant milestone in her career as her first recorded session featuring a full-sized big band. Album Overview
Produced and arranged by her long-time collaborators Jan Menu and Johan Plomp, the album finds Fygi interpreting a selection of classics from the Great American Songbook. She chose songs originally made famous by her idols, including Frank Sinatra, Tony Bennett, and Julie London, focusing on tracks that allowed her to showcase her "storyteller" vocal style. The album was released through T2 Entertainment in the Netherlands and Universal Music
in Taiwan, where it included a Mandarin-language bonus track. Amazon.com
The standard release contains 12 tracks, while regional editions often include a 13th bonus track. Apple Music The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Amazon.com Critical Reception
Critics praised the album for its lush production and Fygi's "velvety" vocal delivery.
noted that the big band setting allowed her to "swing easy" while maintaining her signature intimacy. Particular highlights mentioned by reviewers include the "scorching" brass line on "Too Darn Hot" and the reimagined, slow-burn version of "Fever". or more details on Laura Fygi's discography Laura Fygi: The Best Is Yet to Come - JazzTimes
Laura Fygi: The Best Is Yet to Come (2011) The 2011 album The Best Is Yet to Come represents a landmark moment in the career of Dutch jazz vocalist Laura Fygi, marking the 20th anniversary of her solo debut. Known for her sultry, "velvety" voice and multicultural heritage, Fygi transitioned from a 1980s pop career with the group Centerfold to become a globally recognized jazz icon. This release stands out as her first full-length recording backed by a traditional big band, fulfilling a long-held artistic ambition. Artistic Direction and Production
Produced and arranged by long-time collaborators Jan Menu and Johan Plomp, the album features a lush, expansive sound that pays homage to the mid-century swing era. Fygi’s approach on this record has been compared to the understated elegance of Julie London and the sophisticated swing of Peggy Lee.
Big Band Setting: The arrangements utilize a full-sized orchestra, providing a "scorching" backdrop for standards that Fygi had previously performed live but never captured in a studio big band setting.
Storytelling Approach: Fygi identifies as a "storyteller," choosing tracks from the Great American Songbook that allow her to convey deep emotional narratives, such as the heartbreak in "It’s Easy to Remember". Key Tracks and Highlights
The album's tracklist consists primarily of jazz and pop standards made famous by legends like Frank Sinatra and Tony Bennett.
"The Best Is Yet to Come": The title track sets an optimistic tone, showcasing the "unbridled enthusiasm" and "passion" of the studio sessions.
"Too Darn Hot": A high-energy performance supported by a brass-heavy drum line reminiscent of Buddy Rich.
"Smile": A softer, more contemplative interpretation that leans into a "clouded grey" atmosphere rather than pure optimism. End of Report Here’s a suggested text suitable
"Rose, Rose, I Love You": A notable inclusion featuring Fygi singing in Mandarin, reflecting her significant success and popularity in the Asian market. Technical Context (FLAC/Audiophile)
For enthusiasts seeking the -FLAC- (Free Lossless Audio Codec) version, this album is a prime candidate for high-fidelity listening. Critics have praised the "top-notch" musicianship, specifically highlighting individual solos like Hans Vroomans’ piano on "Old Devil Moon" and Maarten van der Grinten’s guitar on "That Old Black Magic". The lossless format preserves the intricate dynamics of the big band arrangements and the subtle nuances of Fygi's intimate vocal delivery. The Best Is Yet to Come: Amazon.co.uk: CDs & Vinyl
Laura Fygi: The Best Is Yet To Come – A Definitive Big Band Celebration (2011)
Released in 2011 to mark her 20th anniversary as a solo artist, "The Best Is Yet To Come" stands as a pivotal milestone in Dutch jazz vocalist Laura Fygi's storied career. While she has explored Latin, French chanson, and smooth jazz across her extensive discography, this album represents her first-ever studio recording backed by a full-scale big band.
For audiophiles and jazz enthusiasts seeking the highest fidelity, the album is frequently sought after in FLAC (Free Lossless Audio Codec) format to preserve the intricate textures of the brass arrangements and Fygi's characteristically smoky, intimate vocals. A Sophisticated Big Band Reimagining
Produced and arranged by her longtime collaborators Jan Menu and Johan Plomp, the album sees Fygi tackling iconic standards from the Great American Songbook. Rather than merely mimicking the legends who preceded her—such as Frank Sinatra, Tony Bennett, or her idol Julie London—Fygi brings a unique interpretive depth to the material.
Critical reception, such as reviews from JazzTimes, highlights her ability to "seduce cunningly" while maintaining a fierce sense of self-reliance, often drawing favorable comparisons to the legendary Peggy Lee. Key Tracks and Highlights
The album features 12 tracks (13 on certain international editions) that range from high-energy swing to melancholic ballads.
"The Best Is Yet To Come": The title track sets the tone with a confident, swinging arrangement that celebrates her two decades of success.
"Too Darn Hot": A standout performance where Fygi’s vocals ride atop a "scorching, brass-wrapped drum line" reminiscent of Buddy Rich.
"Smile": Reinterpreted with a touch of grey rather than simple optimism, showcasing her skills as a "storyteller".
"Fever": A distinct reimagining that escalates from a slow burn to what critics described as a "three-alarm blaze".
"Rose, Rose, I Love You": A special inclusion for her significant Asian fanbase, featuring lyrics sung in Mandarin. Album Specifications Laura Fygi – The Best Is Yet To Come - Discogs
Released in 2011 to mark her 20th anniversary as a solo artist, "The Best Is Yet To Come" is a landmark recording in Laura Fygi's discography. This 12th studio album represents a significant departure from her previous work, as it is her first full-scale big band recording. Album Overview & Recording
After years of performing with various ensembles, Fygi realized a long-held dream by recording with a full-sized big band led by Jan Menu and Johan Plomp, who also served as the album's co-arrangers and producers. The arrangements are designed to evoke the classic big band era, drawing comparisons to the legendary works of Peggy Lee, Frank Sinatra, and Julie London. Musical Style & Tracklist
Fygi, often described as a "storyteller" rather than just a vocalist, selected a repertoire of standards that allow her to express a range of emotions, from the celebratory to the melancholic. The album reached #28 on the Netherlands music charts and remained on the charts for five weeks. The standard tracklist includes: The Best Is Yet To Come (3:15) Smile (feat. Ruud Breuls) (3:35) Too Darn Hot (feat. Bert Boeren) (3:57) I've Got A Crush On You (feat. Jan Menu) (3:48) This Can't Be Love (feat. Ruud Breuls) (3:35) Cheek To Cheek (feat. Sjoerd Dijkhuizen) (3:53) Fever (3:55) That Old Black Magic (feat. Maarten van der Grinten) (4:17) It's Easy To Remember (4:51)
You and the Night and the Music (feat. Sjoerd Dijkhuizen) (3:26) Old Devil Moon (feat. Hans Vroomans & Bert Boeren) (4:23) The Good Life (feat. Sjoerd Dijkhuizen) (4:22) Rose, Rose, I Love You (Bonus Track - sung in Mandarin) Technical Quality: The FLAC Advantage
For audiophiles, the FLAC (Free Lossless Audio Codec) version of this 2011 release is particularly sought after. Unlike standard MP3s, FLAC provides a bit-perfect copy of the original CD audio, ensuring that the lush textures of the big band's brass and the intimate nuances of Fygi's vocals are preserved without compression loss. This high-fidelity format is ideal for showcasing the production work of Menu and Plomp, capturing the "live" energy of the studio session.
Critics have noted that Fygi’s voice, which "smolders with London-worthy intensity," is perfectly complemented by these sophisticated arrangements. You can find more details about her extensive career and other releases on her Official Discography. Laura Fygi: The Best Is Yet to Come - JazzTimes
Laura Fygi - The Best Is Yet To Come (FLAC, 2011)
Acquiring the file is only half the journey. To experience why Laura Fygi’s voice is so revered in lossless audio, follow these guidelines:
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