Fylm Going Places 1974 Mtrjm Kaml Fydyw Lfth May 2026

Few films have divided critics and audiences quite like Bertrand Blier’s Going Places (Les Valseuses). Released in 1974, this French road movie follows two rootless, amoral drifters — Jean-Claude (Gérard Depardieu) and Pierrot (Patrick Dewaere) — as they wander the French countryside, stealing cars, seducing (and often assaulting) women, and leaving chaos in their wake. Decades later, it remains a confrontational masterpiece: brutal, hilarious, and deeply unsettling.

The original French title Les Valseuses is a slang term for testicles (literally "waltzing" or "rolling" – from valse = waltz). The English distributor chose "Going Places" – both a euphemism for sexual conquest and a literal reference to the film's road-movie structure. The title captures the protagonists' restless, aimless movement through France.

Directed by: Bertrand Blier Starring: Gérard Depardieu, Patrick Dewaere, and Miou-Miou. fylm going places 1974 mtrjm kaml fydyw lfth

This film is considered a cult classic of French cinema. While it is explicitly an adult comedy, it is widely studied and remembered for its audacity, its critique of society, and the breakout performances of its lead actors.

الفيلم الأصلي يحمل العنوان الفرنسي "Les Valseuses" (وتعني حرفيًا "كرات الخصية" في العامية الفرنسية)، ولكنه عُرف عالميًا باسم "Going Places". وهو فيلم درامي-كوميدي-جريء جدًا، من إخراج بيرتران بلييه، ومقتبس عن روايته الخاصة الصادرة عام 1972. Few films have divided critics and audiences quite

يدور الفيلم حول شابين منحرفين، جان كلود (جيرار ديبارديو) وبيير (باتريك ديفير)، يتجولان في الريف الفرنسي سارقين سيارات وملاحقة النساء، ثم تتعقد الأحداث عندما تلتقي بهما فتاة غامضة تدعى ماري أنج (ميراي دارك). الفيلم يمثل نقدًا لاذعًا للمجتمع الفرنسي ما بعد أحداث مايو 1968، ويعكس موجة من التحرر الجنسي والسخرية من السلطة والأخلاق التقليدية.

Today, the film is impossible to watch without controversy. The protagonists treat women as objects for their pleasure, including a notorious scene involving a rape that is played for dark comedy. Some critics argue Blier exposes male sexual aggression without endorsing it. Others see the film as irredeemably sexist. its critique of society

What saves Going Places from being purely offensive is its strange tenderness and absurdist humor. Miou-Miou’s character, Marie-Ange, finds freedom in her degradation — a problematic concept by modern standards, but one the film explores with weird sincerity.