Erotic Comics- A Graphic History- Vol 1 By Tim ... -
Before diving into the imagery, it is crucial to understand the credentials of the authors. Tim Pilcher is a former comics editor at DC Comics (Vertigo/Helix) and a respected historian who has written extensively on manga and underground comix. Gene Kannenberg, Jr. is a scholar specializing in non-traditional narrative forms. Together, they avoid two common pitfalls: dry academic snobbery and prurient over-excitement. Instead, they treat the subject with the same rigour they would apply to superheroes or newspaper strips.
Volume 1 specifically brackets the "Golden Age" of erotic comics—from the Victorian era through the explosion of pulp magazines, ending just before the British obscenity trials and the American Senate hearings on juvenile delinquency in the 1950s.
The book, published by Taschen, is part of a series that aims to chronicle the development of erotic comics across several decades. Pilcher, a well-known comic book historian, brings his expertise to the subject, ensuring that the narrative is not only informative but also engaging for both comic book enthusiasts and those interested in the cultural aspects of erotic art. Erotic Comics- A Graphic History- Vol 1 by Tim ...
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"Erotic Comics: A Graphic History, Vol. 1" is lavishly illustrated with a vast array of images, from the more prudish and humorous erotic comics of the early 20th century to the more explicit and risqué content that began to appear in the 1960s and 1970s. The selection of images is carefully curated, providing readers with a visual history that complements the textual narrative. Before diving into the imagery, it is crucial
Pilcher's approach to the subject matter is scholarly yet accessible. He discusses the legal and social challenges faced by creators and publishers of erotic comics, as well as the impact of changing societal attitudes towards sex and censorship. The book also highlights key figures in the history of erotic comics, both creators and publishers, and their contributions to the genre.
The book opens with a revelation: erotic comics did not begin with Playboy. In the 19th century, as literacy rates rose and printing technology (lithography) became cheaper, "curious" books began to circulate. Use the index to find specific artists –
Pilcher and Kannenberg highlight the French and British "album" culture. They dedicate significant space to Édouard-Henri Avril (pseudonym "Paul Avril"), who illustrated erotic versions of classics like De figuris Veneris. However, the true star of this section is the anonymous German artist who illustrated Jugend magazine’s competitors.
Most fascinating is the inclusion of Tijuana Bibles—the dirty, eight-page pamphlets produced during the Great Depression. These crude, underground comics featured "Famous Funnies" stars like Mickey Mouse, Popeye, and Blondie engaging in explicit acts. The authors contextualize these not as mere pornography, but as anti-authoritarian satire. By corrupting wholesome icons, marginalized artists struck back at the establishment.