Si la marque garde souvent l’anonymat de ses “anges”, certains visages de 1999 sont devenus légendaires. L’un des clichés les plus célèbres montre une silhouette appuyée contre une horloge arrêtée à minuit moins une, symbole évident de la fin du millénaire. Une autre planche, très prisée, met en scène une femme dans un grand lit défait, tenant un téléphone à cadran des années 60 – un contraste saisissant avec la modernité de la lingerie transparente.
La palette de couleurs dominante est le noir, le bordeaux profond et un argenté métallique, rappelant la magie de Noël 1999 et les fêtes de fin d’année.
Once you acquire the elusive Calendrier Aubade 1999, do not hang it in direct sunlight. The high-contrast photography of that year is susceptible to UV bleaching.
Instead, serious collectors do one of two things:
Paris in winter has a way of softening edges. The city’s stone facades, slick with rain and silvered by mist, held their breath as January moved toward February. In a small atelier above the rue Montorgueil, Claire unfolded the calendar she’d waited for all year: the Calendrier Aubade, 1999.
It was more than a schedule. Printed on heavy cream paper with a delicate scent of ink, each month carried a photograph and a tiny poem. The images were familiar yet strange — tongue-in-cheek glamour, lingerie that looked like a second skin, models caught in laughter or a suspended hush. For Claire, a young copywriter who loved words as much as textures, the calendar was a ritual object: a new mood to inhabit each month, a prompt to write postcards to strangers she might meet in cafés.
January’s page showed a woman leaning out a second-floor window, scarf whipping, the Seine glinting below. Claire taped it by her desk and wrote three lines under it, a postcard imitation to an unknown friend: “Winter makes us honest — we press our faces to the glass and promise to begin again.” She folded the note and left it on the barista’s counter at the rue des Abbesses, then watched the barista smile over it, not knowing whom to thank.
February’s photograph was playful — a model sprawled on a velvet chaise, one hand holding a faded ticket stub from an old cinema. Claire imagined the ticket had been for a midnight screening of a black-and-white film, the sort with lovers who whisper and never quite say goodbye. She began a story about a man who returned every February to the same cinema, waiting each year for a ghost of a woman who’d once promised to meet him in the aisle if the rain came.
March’s image was quieter: sun through blinds, a bare shoulder catching the light. The calendar’s aesthetic tiptoed between intimacy and theater, like a whispered confession staged for the camera. Claire used the picture as an outline for a scene in a novel she’d never finish — a woman packing an old box of letters, pressing each envelope back into its place like petals going to sleep.
On an ordinary Thursday in April, Claire met Luc at a reading in a narrow bookshop on the Île Saint-Louis. He had a copy of a pamphlet with a quote about small kindnesses stitched across the cover. They started talking about calendars, of all things. He told her his grandmother had collected every Calendrier Aubade since the seventies; they’d been almost ceremonial, a small rebellion against the sober calendars that lined accountants’ walls. He called them “celebrations of the private life.” Claire laughed; she told him she still kept hers by the desk, and how each month made a tiny trail through her days.
May’s spread in the calendar captured an unexpected angle: two people holding hands under a rain-splattered umbrella, faces hidden. The image prompted Claire to write a letter she never sent — to a stranger she’d once loved and lost. She tucked the unsent letter into a drawer where it coexisted with bus tickets and pressed flowers, a private archive of possibility.
June brought a photograph of a rooftop at dusk, a cigarette ember glowing like a distant star. That month Claire and Luc arranged to meet on a rooftop bar, a coincidence so ordinary and improbable that it felt scripted. They climbed stairs, their coats making quiet shushes, and watched the city open into evening. They swapped stories: Luc on his grandmother’s calendars, Claire on the postcards she left behind. When Luc reached for her hand, it fit as if the years had been practice.
July’s page was breezy and bold — a model laughing in a sunhat, the light a honeyed halo. Claire decided the calendar was an atlas of desire and restraint. Its photos suggested things without naming them: the possibility of a kiss that might happen, the hush of a drawer closing on a small private life. She started sending postcards again, this time addressed to friends who had drifted far. “We are still here,” she wrote, “still collecting small moons.”
August showed an empty seaside cabana, stripes fading to salt. Claire thought of summers used and unused, of afternoons spent reading the same paragraph until it felt like incantation. She and Luc drove to Normandy for a weekend, and in a café, a woman at a neighboring table pulled out a Calendrier Aubade — the same edition, same month. They compared notes as if dissecting a shared dream. The woman, a seamstress named Mireille, pressed a napkin into Claire’s palm with an address scrawled on it. “We should make something with these pages,” Mireille said. “A quilt, maybe. A story.”
September’s image — a single red ribbon curled on a white sheet — inspired them to gather. Mireille’s atelier became a meeting point: a few friends, a stack of old calendars, and a kettle that never stopped humming. They cut and stitched, told stories, drank bitter coffee and laughed at memories. They made small things: a strip of calendar framed as a postcard, a stitched patch with a month’s photograph as its heart. The Calendrier Aubade 1999, once a private icon for Claire, became a shared repository, a way to keep little confidences alive.
October’s photograph was shadow and light: a silhouette in front of a window, a cat arched on the sill. That month Claire found herself sorting through the letters she’d written and the ones she hadn’t. She read them aloud to Luc by candlelight; they sounded like archives of selves she’d been — brave, foolish, radiant — and ones she’d yet to become. The stories in those letters braided with the calendar’s images, turning into scenes she read at the bookshop’s open-mic nights.
November, with its image of gloves laid neatly on a chair, brought losses and small repairs. The city cooled, and a friend moved away. The group stitched him a small parcel made from calendar scraps — a memento for travel. Claire felt the familiar tug: calendars are maps not of days but of people. They mark the landscape of living.
December’s page showed a festive table, candles and crumbs. Claire pinned it above her desk and, on New Year’s Eve, they gathered the group in Mireille’s atelier. They ate, they traded letters, and they pinned each person to a month from the Calendrier Aubade — a playful ritual that made everyone laugh and blush. Claire got April, the window and the scarf, and she thought about promises.
At midnight, while the city counted down and fireworks stitched the sky, Claire stood in the doorway with her calendar in hand. She realized the Calendrier Aubade 1999 had done something she hadn’t expected: it had been a key. Each photograph had unlocked a corridor in the heart, and each corridor led to other people, other stories, other months. The calendar that began as a private indulgence had become a map of connections.
She smoothed the final page and slid the calendar into a box labeled “1999.” It felt like closing a book — not an end, but a careful fold. Outside, Paris kept its breath, and inside, Claire and her small constellation of friends promised to make new things, to keep sending postcards, to stitch together whatever small, luminous things calendars offered them: glimpses, invitations, beginnings.
You're looking for information on the "Calendrier Aubade 1999".
Aubade is a well-known French brand that specializes in lingerie and sleepwear. They are particularly famous for their high-quality, comfortable, and stylish products.
The "Calendrier Aubade 1999" likely refers to a calendar published by Aubade in 1999. Such calendars are often created by lingerie brands to showcase their products in a visually appealing way, usually featuring models or actresses posing in the brand's lingerie. calendrier aubade 1999
Unfortunately, without access to specific archives or databases, I couldn't find detailed information or images from the "Calendrier Aubade 1999". However, I can suggest a few possible avenues for finding more information:
If you're interested in purchasing or simply viewing the calendar, I recommend exploring the above-mentioned options. For those interested in Aubade's current collections or historical evolution, visiting their official website or social media channels might provide valuable insights.
1999 Aubade Calendar is a landmark edition of the French lingerie brand's iconic annual publication. Released just one year after the brand launched its very first calendar in 1998, this edition solidified the calendar as a "must-have" artistic promotional item that invited the brand's "French art of loving" into the home. Creative Direction & Artistry
The 1999 edition continued the signature aesthetic that defined the brand's legendary "Lessons of Seduction" (Leçons de Séduction) campaign: Photography
: Much of the work from this era was captured by renowned photographer Hervé Lewis
, who was instrumental in defining the brand’s artistic, high-contrast style. Visual Style
: The calendar features 12 black-and-white photographs that emphasize the female silhouette and the intricate details of the lingerie rather than the models' faces, which often remained anonymous. Iconic Lessons
: Notable "Lessons" featured in 1999 advertisements included Leçon n°27 Leçon n°30 Leçon n°32
, which often showcased specific pieces like brassieres and garters accompanied by playful, seductive advice. A Turning Point for the Brand For Aubade, 1999 was a year of transition and expansion: Digital Debut : The brand launched its first website, www.frenchartofloving.com
, which was promoted through innovative "window flat" live campaigns in Paris where women acted out scenes behind curtains to reveal the new URL. Collector's Value
: Today, the 1999 calendar is considered a rare collector's item. Original prints and full calendars from this year are frequently traded on auction sites like eBay France
, often fetching significant prices from lingerie enthusiasts and photography collectors. Key Details from 1999 Advertisements Lesson Number Focus Area Photographer Leçon n°27 General Seduction Hervé Lewis Leçon n°30 Brassiere & Garters Hervé Lewis Leçon n°32 Support & Curves Hervé Lewis
The 1999 calendar remains a prime example of how Aubade transformed functional lingerie into a fashion accessory and a cultural phenomenon through bold, provocative, and avant-garde imagery. used by Hervé Lewis or how to authenticate a vintage Aubade calendar Aubade's history | Aubade® Official Website
While specific photographer credits for the 1999 edition can vary (often featuring names like Sølve Sundsbø or Peter Lindbergh for Aubade around that era), the 1999 calendar typically embraced:
À la fin des années 90, le calendrier érotique de marque est critiqué par certains courants féministes, qui y voient un objet de réification. Pourtant, avec le recul, beaucoup considèrent le calendrier Aubade comme un cas d’école de female gaze. Les photographes travaillent en étroite collaboration avec les mannequins, et la pose n’est jamais soumise.
L’édition 1999 est audacieuse car elle joue avec la notion de homescape : l’intérieur domestique devient un théâtre de la séduction personnelle, non pas pour plaire à l’autre, mais pour se plaire à soi-même. Les extraits de poèmes ou de citations (présents sur chaque feuillet) renforcent cette dimension intellectuelle, une spécificité française.
“La nuit du 31 décembre 1999, le temps s’arrête, pas le désir.” – Texte promotionnel de l’époque.
In summary: The Aubade 1999 calendar is more than a set of pretty pictures. It is a limited-edition piece of late-20th-century French erotic photography, a brand collectible, and a nostalgic window into the aesthetics of 1999.
I notice you're asking about an "Aubade 1999 calendar" and mentioned "deep paper."
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Could you clarify what you mean by "deep paper"? (e.g., a research paper, a detailed article, a physical thick paper version of the calendar?) Si la marque garde souvent l’anonymat de ses
The Aubade 1999 Calendar is a hallmark of French lingerie photography, representing a peak era for the brand's iconic "Leçons de Séduction" (Lessons in Seduction) campaign. The 1999 Collection Context
In 1999, the calendar focused on the refined black-and-white aesthetic that defined the brand's identity throughout the 1990s.
Photographer: Much of the 1999 campaign was shot by Hervé Lewis, who became a signature photographer for the brand.
Key Lessons: The 1999 series featured notable entries like Leçon n°27, n°28, n°30 (featuring brassieres and garters), and n°32.
Artistic Style: The visuals avoided showing models' faces, focusing instead on the curves of the body and the intricate details of the lingerie to maintain an air of mystery and universal appeal. The "Lessons in Seduction" Legacy
Launched in 1992, these "lessons" were more than just advertisements; they were designed as playful, bold advice for women to celebrate their power of seduction.
Cultural Impact: The campaign was so striking that it famously caused "scooter accidents" as commuters were distracted by the large-scale street posters.
Collector's Status: Original prints and calendars from 1999 are now sought-after items for photography and fashion collectors. You can still find vintage original prints from 1999 on specialty sites like Hprints. What the 1999 Calendar Offered
The calendar served as a curated "best-of" the year's advertising lessons, often including: Aubade's history | Aubade® Official Website
Title: Unveiling the Charm of Calendrier Aubade 1999: A Retro Dive into French Culture
Introduction
In the realm of collectibles and nostalgic items, certain objects manage to capture the essence of an era, transporting us back to a bygone age. Among these treasures, the Calendrier Aubade 1999 stands out as a delightful encapsulation of late 1990s French culture, particularly within the context of the renowned French lingerie brand, Aubade. This blog post aims to take you on a journey through the charm and significance of the Calendrier Aubade 1999, exploring its cultural impact, aesthetic appeal, and why it remains a cherished collectible today.
The Allure of Aubade
Aubade, a French lingerie brand, has long been synonymous with elegance, sophistication, and femininity. Founded on the principles of crafting beautiful, high-quality lingerie, Aubade has been a staple in the world of fashion for decades. The brand's commitment to excellence and its keen eye for detail have made it a favorite among women seeking luxurious and comfortable lingerie.
The Calendrier Aubade 1999: A Cultural Phenomenon
The Calendrier Aubade 1999 is more than just a calendar; it's a cultural phenomenon that reflects the aesthetic and attitude of the late 1990s. Featuring stunning models in exquisite lingerie sets against scenic backdrops, the calendar is a visual feast that showcases the brand's signature style. Each month is represented by a beautiful photograph, often with a thematic coherence that ties the entire collection together.
Why the Calendrier Aubade 1999 is a Collectible Treasure
For collectors and enthusiasts of vintage items, the Calendrier Aubade 1999 holds a special place. Here are a few reasons why:
Where to Find the Calendrier Aubade 1999
For those interested in acquiring a Calendrier Aubade 1999, several options exist:
Conclusion
The Calendrier Aubade 1999 is a delightful piece of history that captures the essence of late 1990s fashion and culture. Whether you're a collector, a fashion enthusiast, or simply someone with a fondness for the aesthetic of the era, this calendar is a charming find. It not only serves as a reminder of how far we've come but also celebrates the timeless elegance of French lingerie. As we look back on such items, we're reminded of the power of fashion to evoke memories and emotions, making the Calendrier Aubade 1999 a truly special collectible. If you're interested in purchasing or simply viewing
The 1999 Aubade calendar represents a pivotal moment in the history of the French lingerie brand, serving as one of the earliest physical compilations of its legendary "Leçons de Séduction" (Lessons in Seduction) advertising campaign. Artistic and Cultural Significance
Launched originally in 1992, the "Leçons de Séduction" series fundamentally shifted how lingerie was marketed, moving from purely functional support to a symbol of feminine empowerment and "French art of loving".
Signature Aesthetic: The 1999 calendar features the brand's iconic high-contrast, black-and-white photography. These visuals typically focus on the curves of the female body and the intricate details of the lace, often shot by acclaimed photographers like Hervé Lewis.
Playful Messaging: Each month (or "lesson") is accompanied by a numbered, witty piece of advice on the art of seduction, such as Lesson n°27 or Lesson n°32, which often employed a subtle touch of humor.
Anonymity: A key hallmark of this era was the anonymity of the models; by cropping out their faces, the campaign allowed every woman to project herself into the "lesson". Historical Context
While Aubade was founded in 1958, the 1990s were the brand's most transformative decade. Aubade's history | Aubade® Official Website
1999 Aubade Calendar (Calendrier Aubade 1999) is a significant collector's item in the brand's history, representing the second-ever edition of their annual calendar series, which launched in 1998. Artistic Style & Format Signature Aesthetics : The calendar is known for its high-contrast, artistic black and white
photography, a hallmark of Aubade's "French art of loving" branding. Photography
: Much of the iconic 1999 imagery, including the famous "Lessons in Seduction" advertisements, was shot by photographer Hervé Lewis
: It traditionally features 12 posters (one for each month) showcasing the season's latest lingerie collections. For 1999, the calendar typically measures approximately 22 x 30 cm (8.7 x 11.8 inches). Aubade Paris Thematic Content: "Lessons in Seduction" The 1999 edition heavily features the "Leçons de Séduction"
(Lessons in Seduction) theme, which began in the early 1990s and became a cultural phenomenon in France.
: Each month presents a "lesson"—a specific suggestive pose of the female body paired with a witty, cheeky tagline giving advice on seduction.
: The imagery focuses on the relationship between the body and the lingerie, often highlighting details like the Bahia collection or specific design elements like lacing and satin bands. Notable Pieces
: The 1999 collection included "Lesson n°31" and "Lesson n°32". Les Archives de la Mode Collector Availability Distribution : These calendars were originally produced in limited editions
and were often given as gifts to customers who purchased an Aubade lingerie set. Current Value
: Today, the 1999 edition is considered a "must-have" for collectors and is frequently traded on auction sites like Are you looking to identify a specific month's image or are you trying to find a physical copy for your collection?
Aubade Lingerie Collection Overview | PDF | Bra | Embroidery - Scribd
1999 Aubade Calendar is a hallmark of the brand's legendary "Leçons de Séduction" (Lessons in Seduction) campaign, which first launched in 1992. This specific edition arrived just one year after Aubade published its very first calendar in 1998. Aubade Paris Key Features of the 1999 Edition Artistic Direction : The 1999 visuals were primarily captured by photographer Hervé Lewis
, who took over from Hervé Bruhat and Bernard Matussière. Lewis is credited with the "Lessons" numbered 27 through 53. Visual Style
: True to the campaign's identity, the calendar features high-contrast black and white photography
. The images focus on the interplay between the female body and intricate lingerie, typically omitting the models' faces to emphasize a universal "art of loving".
: Each month displays a "lesson"—a playful, provocative piece of advice on seduction—paired with a specific lingerie set. Collectibility
: Because it was only the second calendar ever released by the house, the 1999 edition is considered a high-value collector's item. Aubade Paris Critical Reception Aubade's history | Aubade® Official Website