Alice - Azimut -1982 Pop- -flac 16-44- Review

Purchase a used copy of the 1982 CD reissue (EMI 7243 8 57340 2 4) or the 2017 Japanese reprint (UICY-78731). Rip using Exact Audio Copy (EAC) or XLD to create your own verified FLAC 16-44 files.

Do not search for broken strings like "Alice - Azimut -1982 Pop- -Flac 16-44-" on dubious websites. Instead:

You will gain a masterpiece of 1980s art pop, a correct technical file, and the satisfaction of supporting an innovative artist. That is the true azimuth – the right direction for any music lover.

Album: Azimut Artist: Alice Year: 1982 Genre: Pop Format: FLAC 16/44

Azimut is the fourth studio album by Italian singer-songwriter Alice, released in 1982. The album marks a significant point in Alice's career, showcasing her unique blend of pop, rock, and new wave elements.

The album features a collection of catchy and emotive songs, with Alice's distinctive vocals taking center stage. The lyrics explore themes of love, relationships, and self-discovery, resonating with listeners of the era.

Tracklist:

Audio Specifications:

Quality: This 16/44 FLAC rip ensures a high-quality listening experience, with crisp and clear audio that does justice to the original recording.

If you enjoy 80s Italian pop and are looking for a nostalgic listening experience, Azimut by Alice is an excellent choice.

This is a full report for the digital audio release of:

Artist: Alice (Italian singer, born Carla Bissi)
Album: Azimut
Year: 1982
Genre: Pop / Art Pop / Synth-pop
Format: FLAC
Resolution: 16-bit / 44.1 kHz (standard CD quality)

In 1982, the Italian music scene witnessed a transformative moment with the release of Azimut, the fifth studio album by the enigmatic singer-songwriter Alice (born Carla Bissi). Published under EMI Music, this record remains a cornerstone of Italian New Wave and Art Pop. A Masterpiece of Italian New Wave

Azimut represents a pivotal point in Alice's career, following her breakthrough hit "Per Elisa." While her previous work lean toward straightforward pop, this album introduced a more experimental edge, blending lush synthesizers, sophisticated arrangements, and her signature deep, expressive vocals. Produced by Angelo Carrara, the album’s sound was heavily influenced by her frequent collaborator Franco Battiato, who co-wrote several tracks under the pseudonym "Albert Kui". Essential Tracks

The album is a cohesive journey through avant-garde pop and electronic textures: Alice - Azimut -1982 Pop- -Flac 16-44-

"Messaggio": A synth-driven anthem co-written by Battiato, it served as the album’s lead single and captured the era's sophisticated pop sensibilities.

"Chanson Egocentrique": A standout duet with Battiato himself, this track is a quintessential example of early 80s Italian synth-pop, featuring playful lyrics and a catchy, rhythmic drive.

"Laura degli specchi": A poetic closing track written by Eugenio Finardi, showcasing a more delicate, folk-pop side of Alice’s artistry.

"A cosa pensano": A groovy, bass-heavy track that highlights Alice's ability to navigate complex rhythmic structures. High-Fidelity Audio: FLAC 16-bit/44.1kHz

For audiophiles and collectors, seeking Azimut in FLAC 16-44 format (CD quality) is essential for preserving the intricate production details. The 1982 recording was captured at legendary locations like Stone Castle Studios and Radius Studio, using state-of-the-art analog equipment for the time. A lossless 16-bit/44.1kHz digital file ensures that the layered synthesizers, crisp percussion by Alfredo Golino, and the nuanced frequencies of Alice's voice are heard exactly as intended, without the compression artifacts found in MP3s. Why It Matters Today

Decades later, Azimut is still celebrated on platforms like Rate Your Music for its balance of pop accessibility and artistic experimentation. It isn't just an 80s relic; it's a sophisticated blueprint for modern alternative pop. Whether you're a longtime fan or a newcomer exploring the Battiato-Alice "Milano" sound, this album is a mandatory listen for anyone interested in the evolution of European electronic music.

Beyond the technical specs, Azimut remains a hauntingly beautiful album that predates and predicts much of dream pop, trip-hop, and ambient pop. Artists like Goldfrapp, Björk, and Julia Holter owe a debt to Alice’s fearless blend of electronic textures and classical vocals. Purchase a used copy of the 1982 CD

In 2022, the album received a critical reappraisal when Pitchfork (in a rare move covering Italian music) listed Azimut as one of the "Best Experimental Pop Albums of the 1980s." The reissue vinyl sold out within days.

Listening to Azimut in FLAC 16-44 is not about chasing numbers – it is about hearing Franco Battiato’s analog synthesizers sweep across your speakers without digital artifacts. It is about Alice’s breath control on "Prospettiva Nevski" remaining intact. It is about experiencing a moment of European musical history as the artists intended.

If you are a digital music collector, the string "FLAC 16-44" refers to a specific lossless audio specification.

| Parameter | Value | Explanation | |-----------|-------|-------------| | Format | FLAC | Free Lossless Audio Codec. Compresses without discarding data (unlike MP3 or AAC). | | Bit Depth | 16-bit | The dynamic range (theoretical 96 dB). Standard for Red Book CD audio. | | Sample Rate | 44.1 kHz | 44,100 samples per second. Sufficient to reproduce frequencies up to 22.05 kHz (just beyond human hearing). | | Bitrate | Variable (typically 600–1100 kbps) | Much higher than lossy formats, but still smaller than uncompressed WAV. |

Check Alice’s official Bandcamp page (managed by her label). As of 2025, some of her back catalog appears there in lossless formats.

Warning: Avoid "FLAC" downloads from random blogs or YouTube converters. Many are upsampled MP3s. Verify file integrity using a spectrum analyzer like Spek – a true 16/44 FLAC will show frequency content up to 22.05 kHz with no sharp cutoff.

Azimut (the Italian word for Azimuth, the horizontal angle in navigation) is a fitting title. The album feels like navigating by the stars—lost, yet precisely where you need to be. You will gain a masterpiece of 1980s art

Produced by the legendary Franco Battiato and Giusto Pio, the record moves away from traditional Italian cantautore tropes and dives headfirst into minimalism. The synths are cold, the basslines are hypnotic, and Alice’s voice—crystalline, fragile, yet incredibly disciplined—floats above the mix like a ghost.