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Enjoying your favorite web series while respecting intellectual property rights and ensuring your online safety is crucial. Opt for legal sources to access "Aashram" and other content. Stay updated with official announcements for new episodes and where to watch them legally.

Title: Aashram S01 E01 Language: Hindi Resolution: 480p Source: WebRip Uploader: Vegamovies

Episode Synopsis: The first episode of Aashram sets the tone for a gritty and intense drama. The story revolves around a powerful and influential spiritual leader, MX Player's original series "Aashram" explores themes of power, corruption, and the darker side of spirituality.

Key Features:

Cast and Crew:

Availability: The episode is available for streaming on various platforms, including MX Player, and can be downloaded from sources like Vegamovies.

Technical Details:

Additional Information: The show has received attention for its bold storytelling and intense drama, making it a must-watch for fans of gritty, realistic television. If you're interested in watching more, I recommend checking out the show on MX Player or other streaming platforms.

The first episode of , titled " Pran Pratishtha ," serves as a slow-burn introduction to a world of blind faith, caste politics, and hidden crime. Directed by Prakash Jha, the episode effectively sets up the series' central conflict by contrasting the "divine" aura of a godman with a gritty, real-world investigation. Episode 1 Overview

The Hero-Savior: Bobby Deol debuts as Baba Nirala, a self-proclaimed messiah for the downtrodden. He enters the story by intervening in a violent caste-based dispute, instantly winning over the oppressed.

Pammi’s Journey: The episode focuses on Pammi (Aaditi Pohankar), a lower-caste wrestling champion who faces systemic discrimination until Baba Nirala offers her hope and protection.

The Dark Hook: While Baba builds his image, a skeleton is unearthed at a government-linked construction site, launching a police investigation that threatens to expose the ashram's secrets. Key Highlights Aashram (TV Series 2020– ) - Episode list - IMDb

Aashram Season 1 Episode 1: "Pran Pratishtha" is the premiere of the hit Hindi crime drama directed by Prakash Jha, featuring Bobby Deol in a career-defining role as the manipulative Godman, Baba Nirala. 📺 Episode Overview

The episode sets the stage for a dark exploration of blind faith and corruption in the fictional town of Kashipur. Release Date: August 28, 2020 Runtime: Approximately 53 minutes Director: Prakash Jha Language: Hindi 🎬 Plot Summary

The Conflict: The episode introduces Pammi (Aaditi Pohankar), a lower-caste wrestler who faces systemic discrimination.

The Savior: Baba Nirala enters as a "ray of hope" for the downtrodden, gaining Pammi's total devotion after coming to her rescue during a caste-related dispute.

The Mystery: The peace is shattered when a skeleton is unearthed at a construction site in a nearby forest, sparking an investigation that leads toward the Aashram just as state elections approach. 🌟 Key Cast Tridha Choudhury

Season 1, Episode 1, "Pran Pratishtha," directed by Prakash Jha, introduces a dark, gritty narrative centered on Bobby Deol’s portrayal of the manipulative godman, Baba Nirala. The episode blends social commentary on caste discrimination with political thriller elements, centering on a young wrestler and the discovery of a human skeleton. Critics and viewers generally praised the show's suspenseful atmosphere, with many rating it highly, according to reviews on and Times of India. en.wikipedia.org

The series Aashram, directed by Prakash Jha, is a crime drama that delves into the dark underbelly of a fictional religious empire. The first episode of Season 1, titled "Pran Pratishtha," sets the stage by introducing the charismatic yet manipulative Baba Nirala, played by Bobby Deol, and the systemic caste-based violence that drives people to seek refuge in his ashram. Plot Overview of Season 1 Episode 1: "Pran Pratishtha"

The Hero’s Entry: The episode introduces Baba Nirala not as a docile ascetic, but as a "ball-buster" who intervenes when upper-caste hooligans block a Dalit man from receiving medical treatment at a hospital.

Caste Discrimination: A central conflict involves Pammi (Aaditi Pohankar), a lower-caste wrestler, and her brother Satti (Tushar Pandey). After Satti is brutally beaten for daring to ride a horse during a wedding procession—a tradition often reserved for upper castes—Baba Nirala comes to their rescue, earning their eternal devotion.

The Investigation Begins: Parallel to the spiritual narrative, a skeleton is discovered at a construction site. This discovery sets Sub-Inspector Ujagar Singh (Darshan Kumaar) on a collision course with the ashram, as evidence begins to link the remains to the "holy" grounds. Key Characters and Cast

The Rise of Web Series: A Look into Aashram S01 E01

The Indian entertainment industry has witnessed a significant shift in recent years with the emergence of web series. The rise of streaming platforms has provided a new avenue for creators to produce and distribute content, catering to the diverse tastes of the Indian audience. One such web series that has gained attention is Aashram, and in this article, we'll take a closer look at its first episode.

What is Aashram?

Aashram is a web series that premiered on a popular streaming platform, and it has been making waves in the entertainment industry. The show is directed by Vikramaditya Motwane, known for his work on films like Dev D and Lootera. Aashram is a drama series that explores themes of power, corruption, and spirituality, set in a rural Indian backdrop.

Aashram S01 E01: An Overview

The first episode of Aashram, titled S01 E01, sets the tone for the rest of the series. The episode introduces the main character, Baba Bunty, played by actor Manoj Bajpayee. Baba Bunty is a charismatic and influential spiritual leader who has built a massive following in rural India. However, beneath his benevolent facade, he harbors dark secrets and a lust for power.

The episode revolves around Baba Bunty's rise to fame and his increasing influence over his followers. We are also introduced to other key characters, including Chandan (played by Chandrababu Yadav) and Malla (played by Aishwarya Majmudar). The episode expertly weaves together themes of spirituality, politics, and crime, setting the stage for a gripping narrative.

Key Takeaways

Here are some key takeaways from Aashram S01 E01:

The Rise of Web Series in India

The success of web series like Aashram can be attributed to the growing demand for digital content in India. With more people having access to smartphones and affordable internet, streaming platforms have become the go-to destination for entertainment. Web series have provided a platform for creators to experiment with new ideas, free from the constraints of traditional television.

Conclusion

Aashram S01 E01 is a promising start to what promises to be an engaging and thought-provoking series. With its talented cast, direction, and timely themes, it has generated significant buzz among audiences. As the Indian web series landscape continues to evolve, it's exciting to see creators pushing the boundaries of storytelling and exploring new ideas.

Where to Watch

You can catch Aashram S01 E01 on streaming platforms like MX Player, or download it from websites like Vegamovies. However, we recommend subscribing to legitimate streaming services to support the creators and the entertainment industry.

Rating: 4.5/5

Recommendation: If you're a fan of drama, suspense, and thought-provoking content, Aashram is definitely worth checking out. Aashram S01 E01 WebRip Hindi 480p - Vegamovies....

The Rise of Aashram: Unpacking the First Episode of the Popular Web Series

In the realm of Indian web series, Aashram has emerged as a significant player, captivating audiences with its gripping narrative and compelling characters. The first episode, titled Aashram S01 E01, has been making waves on various streaming platforms, including Vegamovies, where it is available for download in Hindi at 480p resolution. This article aims to provide an in-depth analysis of the episode, exploring its themes, plot, and the factors contributing to its popularity.

Introduction to Aashram

Aashram is a web series that revolves around the life of a spiritual guru, played by actor Bobby Deol, who rises to fame with his self-proclaimed divine abilities. The show delves into the darker aspects of spirituality, power dynamics, and the blurring of lines between right and wrong. With its unique premise and intriguing characters, Aashram has generated significant buzz among audiences and critics alike.

The First Episode: Setting the Tone

The first episode, Aashram S01 E01, introduces viewers to the protagonist, Panditji (Bobby Deol), a charismatic and enigmatic figure who claims to possess spiritual powers. The episode sets the stage for the series, showcasing Panditji's humble beginnings and his rise to fame as a guru. The narrative expertly weaves together elements of drama, suspense, and spirituality, leaving viewers eager for more.

Key Themes and Takeaways

Several themes emerge in the first episode of Aashram, including:

Why Aashram S01 E01 WebRip Hindi 480p on Vegamovies is Trending

The availability of Aashram S01 E01 WebRip Hindi 480p on Vegamovies has contributed to the episode's popularity. Here are a few reasons why:

Conclusion

Aashram S01 E01 has set the tone for a thought-provoking and engaging web series, expertly blending spirituality, drama, and suspense. The episode's availability on Vegamovies in Hindi at 480p resolution has made it more accessible to a wider audience, contributing to its popularity. As the series unfolds, it will be interesting to see how the themes and characters evolve, and whether Aashram can sustain its momentum and become a standout hit in the Indian web series landscape.

FAQs

By providing an engaging narrative, complex characters, and thought-provoking themes, Aashram S01 E01 has captured the attention of audiences, establishing itself as a significant player in the Indian web series landscape.

The first episode of Pran Pratishtha effectively sets a dark and gritty tone for the series, establishing a world where faith is a powerful currency used for both salvation and manipulation. Directed by Prakash Jha, the episode serves as an introductory exposé of the self-proclaimed godman, Baba Nirala (played by Bobby Deol). Plot Summary & Highlights

Title: The Rise of Online Streaming Platforms: A New Era for Indian Television

Introduction: The advent of online streaming platforms has revolutionized the way we consume television content. In India, the rise of platforms like Vegamovies, Aashram, and others has transformed the television landscape. This paper explores the impact of online streaming platforms on Indian television, highlighting the benefits, challenges, and future prospects of this emerging trend.

The Growth of Online Streaming in India: India has witnessed a significant surge in online streaming platforms in recent years. The increasing penetration of smartphones, affordable data plans, and improved internet connectivity have contributed to the growth of online streaming. Platforms like Netflix, Amazon Prime Video, Hotstar, and Vegamovies have become household names, offering a diverse range of content to Indian audiences.

Impact on Indian Television: The rise of online streaming platforms has had a profound impact on Indian television. Some of the key effects include:

Challenges and Opportunities: While online streaming platforms have opened up new opportunities for Indian television, they also pose several challenges:

Conclusion: The rise of online streaming platforms has transformed the Indian television landscape, offering new opportunities for content creators, distributors, and audiences. While there are challenges to be addressed, the future of online streaming in India looks promising. As the market continues to evolve, it is essential to monitor its growth, impact, and implications for the Indian television industry.

(2020) is a popular Hindi-language crime drama series that you can stream legally on Amazon MX Player Series Overview: Season 1, Episode 1 "Prasad" (Episode 1) Prakash Jha Main Cast:

Bobby Deol (as Baba Nirala), Aaditi Pohankar, Darshan Kumar, and Anupriya Goenka. Plot Summary:

The first episode introduces Baba Nirala, a powerful godman who gains followers by providing support to the marginalized. The story kicks off when Pammi, a young wrestler from a lower-caste background, finds hope in the Aashram after facing systemic discrimination. Where to Watch

You can watch the entire first season (9 episodes) for free (with ads) on the official platform: Official Streaming Link: Ek Badnaam Aashram - Season 1 on MX Player

While third-party sites like "Vegamovies" may list the show, using official platforms like MX Player ensures better video quality (including 480p, 720p, and 1080p options) and supports the creators legally.

When Prakash Jha—the filmmaker behind gritty political dramas like Gangaajal and Raajneeti—made his digital debut, expectations were high. The first episode of Aashram, titled " Pran Pratishtha

," immediately sets a dark, compelling tone, pulling viewers into a world where faith is a currency and power is absolute. The Story: A Ray of Hope or a Predator’s Trap?

Episode 1 introduces us to the fictional city of Kashipur, a place deeply divided by ancient caste hierarchies and modern corruption. We meet Pammi (played by Aaditi Pohankar), a spirited lower-caste wrestler who has spent her life fighting systemic discrimination.

Her world changes when she crosses paths with Baba Nirala (portrayed by Bobby Deol

). Unlike the local elites who treat her with contempt, the Baba appears as a messiah for the downtrodden. However, as the episode title " Pran Pratishtha

" (consecration) suggests, this is the birth of a dangerous devotion. While Pammi sees a savior, the audience is given unsettling hints of the "true monster" behind the holy facade—a conman who exploits the very people he claims to protect. Key Highlights from the Pilot

The first episode of the Hindi crime drama series , titled " Pran Pratishtha

," introduces the complex world of a self-proclaimed godman, Baba Nirala (played by Bobby Deol), and the diverse lives entangled in his influence. Directed by Prakash Jha, the episode sets a dark tone by exploring themes of blind faith, caste-based discrimination, and political power. Episode 1 Plot Overview: "Pran Pratishtha"

The Savior's Entry: The story begins by highlighting the deep-rooted caste discrimination in a remote village. Pammi (Aaditi Pohankar), a budding wrestler from a lower-caste background, faces severe mistreatment at the hands of upper-caste individuals.

A Ray of Hope: Amidst her struggle against the system, Baba Nirala appears as a savior for Pammi and her family, offering them refuge and hope within his massive empire.

Grim Discovery: Parallel to Pammi's story, the episode introduces a suspenseful mystery when a skeleton is unearthed at a construction site in a forest. This discovery begins to pull in police investigators and threatens to disrupt the city's peace ahead of crucial state elections. Key Cast and Crew Director: Prakash Jha. Lead Cast: Bobby Deol as Kashipur Waale Baba Nirala. Aaditi Pohankar as Parminder "Pammi". Chandan Roy Sanyal as Bhopa Swami, Baba's right-hand man.

Darshan Kumaar as SI Ujagar Singh, the investigating officer. Production Details Cast and Crew:

The series is an MX Original, first released on MX Player on August 28, 2020. It is noted for its gritty portrayal of how "godmen" can exploit the blind faith of their followers to push unholy agendas involving crime and politics. Critics have praised Bobby Deol's nuanced performance, marking it as a significant milestone in his career. Aashram (TV Series 2020– )

Aashram is a popular Indian web series that premiered on MX Player. The first episode of Season 1, titled "Aashram S01 E01," was released in 2020 and gained significant attention for its storyline and performances.

If you're looking for a report or details about this episode, here's what I can provide:

For more detailed information or a review of the episode, I recommend checking out reputable entertainment websites or platforms that specialize in TV series and movie reviews.

Would you like to know more about the plot of Aashram or is there something else I can help you with?

The text provided appears to be a file name for a pirated or third-party webrip of

, Season 1, Episode 1, originally released on MX Player. Below is a detailed report on the episode and the series it belongs to. Overview of "Aashram" Season 1, Episode 1 Title: "Pran Pratishtha" Release Date: August 28, 2020 Runtime: Approximately 53 minutes Director: Prakash Jha Lead Actor: Bobby Deol (as Baba Nirala) Plot Summary

The debut episode introduces the fictional city of Kashipur, where a self-proclaimed godman, Baba Nirala, is revered as a messiah by the downtrodden and lower-caste communities.

The Protagonist's Hope: Pammi, a young wrestling champion who has long faced caste-based discrimination, finds a "ray of hope" in Baba Nirala when he seemingly comes to her rescue.

The Catalyst: While Baba’s influence grows, the peace of the city is disrupted when a skeleton is unearthed from a construction site in a nearby forest.

The Conflict Begins: The discovery of the body begins to point toward the Aashram, setting the stage for a clash between blind faith and a budding criminal investigation led by S.I. Ujagar Singh. Key Cast & Characters Bobby Deol Baba Nirala / Monty Singh The charismatic but sinister spiritual leader Aaditi Pohankar Pammi Lochan A wrestler who becomes a devoted follower Darshan Kumaar S.I. Ujagar Singh An honest police officer investigating the Aashram Chandan Roy Sanyal Bhopa Swami Baba's right-hand man and chief crony Anupriya Goenka Dr. Natasha Katariya A forensic expert assisting the investigation Critical Reception

Performance: Bobby Deol’s performance was widely praised as a standout, marking a significant turn in his career.

Themes: Critics noted that the series effectively touches on dark social realities, including the caste system, political corruption, and the exploitation of faith.

Pacing: While the premiere was described as "engrossing," some reviews mentioned that the overall narrative is stretched and lacks immediate closure, leading into multiple parts and seasons. Series Status The series has expanded significantly since its 2020 debut:

I can’t help with requests for pirated content or text that promotes illegal downloads. If you want, I can:

Which of these would you like?

Content Availability and Legality: Before we dive into the guide, I want to emphasize that streaming copyrighted content without permission is against the law in many countries. Aashram S01 E01 WebRip Hindi 480p is a specific episode of a TV series, and I don't have information on its copyright status or distribution rights.

Vegamovies: That being said, Vegamovies appears to be a streaming platform that offers a wide range of movies and TV shows, including Bollywood and regional content. If you're looking to access Vegamovies, here's a general guide:

Step 1: Accessing Vegamovies

Step 2: Finding the Content

Step 3: Streaming the Content

Additional Tips:

Legitimate Alternatives: If you're interested in watching Aashram or other TV shows, consider exploring official OTT platforms or legitimate streaming services that have acquired the necessary rights to distribute the content. Some popular options include:

These platforms offer a wide range of content, including TV shows and movies, while ensuring the rights of creators and copyright holders.

Aashram S01 E01 WebRip Hindi 480p - Vegamovies: A Gateway to High-Quality Entertainment

In the vast expanse of the internet, streaming platforms have revolutionized the way we consume entertainment. Among the plethora of options available, Vegamovies has emerged as a notable player, offering a wide range of content to its users. For those seeking high-quality entertainment, particularly in Hindi, Aashram S01 E01 WebRip Hindi 480p - Vegamovies has become a sought-after keyword. This article aims to provide an in-depth look into what makes Aashram a compelling watch and how Vegamovies facilitates access to such content.

Understanding Aashram

Aashram is a web series that has garnered significant attention for its intriguing storyline and powerful performances. The series, which debuted with its first season (S01), has managed to captivate audiences with its blend of drama, mystery, and social issues. The first episode (E01) sets the tone for the rest of the season, introducing viewers to the complex characters and the overarching narrative.

The story revolves around the life of Baba, played by renowned actor Manoj Bajpayee, who establishes an aashram in the heart of rural India. As the series progresses, it delves into the lives of the people who join the aashram, exploring themes of spirituality, ambition, and deception. The portrayal of these characters, along with the series' gripping plot, has been praised for its depth and authenticity.

The Significance of WebRip Hindi 480p

For viewers looking to stream Aashram, the term WebRip Hindi 480p becomes crucial. WebRip refers to a version of the content that is ripped directly from the web, typically from streaming platforms. This version is then made available in various resolutions, with 480p being a standard definition that offers a balance between video quality and file size.

The availability of Aashram S01 E01 in WebRip Hindi 480p format on Vegamovies caters to users who seek to watch the series in Hindi, without the need for high-speed internet connections required for higher resolutions like 720p or 1080p. This accessibility is vital for a broad audience, especially those in regions with limited internet bandwidth.

Vegamovies: A Platform for Diverse Entertainment

Vegamovies has established itself as a platform that provides access to a vast library of movies and web series. The website's user-friendly interface and categorization of content make it easier for users to find their preferred shows or movies. The inclusion of Aashram S01 E01 WebRip Hindi 480p on Vegamovies underscores the platform's commitment to offering diverse entertainment options to its users.

Why Choose Vegamovies?

Several factors contribute to Vegamovies' popularity among users:

Conclusion

The keyword Aashram S01 E01 WebRip Hindi 480p - Vegamovies represents more than just a search query; it symbolizes the evolving landscape of entertainment consumption. As streaming platforms continue to gain prominence, services like Vegamovies play a pivotal role in making high-quality content accessible to a wider audience. Availability: The episode is available for streaming on

For those interested in watching Aashram or exploring similar content, Vegamovies offers a convenient and user-friendly solution. By providing access to Aashram S01 E01 in WebRip Hindi 480p, Vegamovies not only caters to the immediate viewing needs of its users but also contributes to the broader discourse on accessible and inclusive entertainment.

As the digital world continues to evolve, the demand for platforms like Vegamovies and content like Aashram is likely to grow. The intersection of accessibility, quality, and diversity in entertainment will remain at the forefront of this evolution, shaping the future of how we watch and engage with movies and web series.

The web series , directed by Prakash Jha, premiered its first season on 28 August 2020 on . Season 1, Episode 1 is titled Pran Pratishtha Episode 1: " Pran Pratishtha " Synopsis The premiere introduces the fictional city of , where a self-proclaimed godman, Baba Nirala

(played by Bobby Deol), runs a massive empire known as the Aashram. The Messiah: The story follows

(Aaditi Pohankar), a budding wrestler from a lower-caste family who faces gross caste-based discrimination. When she is about to give up hope, Baba Nirala intervenes like a "messiah," earning the blind devotion of her and her family. The Discovery:

Parallel to this, a skeleton is discovered at a construction site on forest land adjacent to the city. This discovery begins to unravel a dark web of crimes, including murders and disappearances, that point toward the Aashram. Political Undercurrents:

The episode establishes Baba Nirala's immense influence over the lower strata of society, making him a critical "kingmaker" for politicians like Hukum Singh CM Sundar Lal ahead of the state elections. Cast and Crew Prakash Jha Leading Cast: Bobby Deol as Baba Nirala / Monty Singh Aaditi Pohankar Chandan Roy Sanyal as Bhopa Swami (Baba’s right-hand man) Darshan Kumaar as SI Ujagar Singh Tridha Choudhury Tushar Pandey

The Aashram Season 1 Episode 1 (titled "Pran Pratishtha") serves as the gripping opening chapter to one of India’s most discussed crime dramas. Directed by the veteran filmmaker Prakash Jha, this episode introduces the complex, dual-natured world of Kashipur, where faith and crime are inextricably linked. Episode Plot Summary: The Messiah and the Skeleton

The series premiere establishes two parallel storylines that eventually collide:

The Rise of Pammi: Pammi (Aaditi Pohankar), a low-caste wrestling champion, is struggling against a deeply entrenched system of caste discrimination. Her family is brutally attacked by upper-caste men after her cousin dares to ride a horse during his wedding procession. In her moment of greatest despair, Baba Nirala (Bobby Deol) appears as a "messiah," providing her family with the dignity and protection the law refuses to offer.

A Dark Discovery: Simultaneously, a construction crew at a site in the forest adjacent to the city unearths a human skeleton. This discovery sends ripples through the political landscape of Kashipur, hinting at a historical crime that powerful figures, including the Chief Minister, want to keep buried. Key Characters and Cast

Baba Nirala / Monty Singh (Bobby Deol): A charismatic but enigmatic godman who has built a massive empire by championing the cause of the downtrodden.

Bhopa Swami (Chandan Roy Sanyal): Baba’s right-hand man and the ruthless "enforcer" who manages the ashram’s shadowy operations.

Ujagar Singh (Darshan Kumaar): A disillusioned police officer assigned to the skeleton case, whose investigation eventually leads him toward the ashram.

Pammi (Aaditi Pohankar): A fierce young wrestler whose blind devotion to Baba Nirala begins in this episode. Critical Themes and Reception

This blog post provides information and a brief overview of the first episode of the popular Indian crime drama series, Aashram.

Aashram Season 1, Episode 1: "Prasaad" – Series Premiere Overview

The MX Player original series Aashram, directed by Prakash Jha, made a massive impact upon its release. Featuring Bobby Deol in a career-defining role, the show explores the dark underbelly of a fictional spiritual empire. 🎬 Episode Summary: "Prasaad"

The first episode introduces us to the world of Baba Nirala (Bobby Deol), a powerful and charismatic spiritual leader who has built a massive following. The story begins by highlighting the deep-rooted caste-based discrimination in rural India, showing how the underprivileged find solace and protection in the Baba’s "Aashram."

However, beneath the veneer of spirituality and social service, the episode hints at a complex web of politics, power, and mystery. When a skeleton is discovered at a construction site nearby, the police investigation begins to stir up secrets that many would prefer stay buried. 📺 Technical Details Title: Aashram (Season 1, Episode 1) Director: Prakash Jha

Lead Cast: Bobby Deol, Aaditi Pohankar, Chandan Roy Sanyal, Darshan Kumaar Genre: Crime, Drama, Mystery Language: Hindi Format: WebRip Resolution: 480p ⭐ Why Watch Aashram?

Bobby Deol’s Performance: His portrayal of the enigmatic "Paanchvaale Baba" is chilling and magnetic.

Social Commentary: The show tackles tough themes like the exploitation of faith and systemic inequality.

High Stakes: The tension builds quickly as the law clashes with the influence of a "Godman."

Note: Always ensure you are streaming content through official and legal platforms like MX Player to support the creators and enjoy the best video quality. To help you get the most out of this series, I can: Provide a recap of the entire first season. Give you a character guide to understand the key players.

Recommend similar crime dramas available on Indian streaming platforms.

The first episode of the Hindi crime drama , titled " Pran Pratishtha

," introduces the fictional city of Kashipur and the immense power of its self-proclaimed godman, Baba Nirala (played by Bobby Deol). Directed by Prakash Jha , the series is available for streaming on Episode 1: Pran Pratishtha Release Date: August 28, 2020. Approximately 53 minutes.

The episode establishes the social divide in Kashipur, where lower-caste individuals face severe discrimination.

(Aaditi Pohankar), a young wrestler from a marginalized community, struggles against this systemic oppression until she encounters Baba Nirala, who appears as a "ray of hope" and a messiah for the downtrodden. The Mystery:

Parallel to Pammi's story, the peace of the city is disrupted when a skeleton is unearthed at a construction site in a forest. This discovery sets off a chain of events that begins to link the dark secrets of political figures and the ashram itself. Main Cast & Characters Baba Nirala (Bobby Deol):

A charismatic but duplicitous "godman" who manipulates followers from disadvantaged sections of society. Pammi (Aaditi Pohankar):

A lower-caste girl who becomes a devoted follower of the Baba after he seemingly comes to her rescue. Bhopa Swami (Chandan Roy Sanyal):

Baba’s right-hand man who manages the ashram's illegal operations. SI Ujagar Singh (Darshan Kumar):

A police officer who initially follows orders but eventually begins investigating the mysterious skeleton found on industrial property.

"Aashram" is a popular Indian web series that gained significant attention upon its release. The series revolves around the life in an ashram, exploring themes of spirituality, power dynamics, and personal struggles.

While I understand you're looking for information on how to access "Aashram S01 E01," I want to emphasize the importance of choosing legal and safe sources. Here are some tips:

An ivory plaque with a depiction of the Mistrees of Animals from Syracuse, Sicily at My Favourite Planet

An ivory plaque with a depiction of
the "Mistress of Animals" in the
Peloponnesian tradition. 700-650 BC.
The figure, with sickle-shaped wings,
stands between a sitting bull or cow
and a standing goat.

Found in a tomb in Syracuse, Sicily.

Paolo Orsi Archaeological Museum,
Syracuse, Sicily.
 

The Mistress of Animals on a relief pithos at My Favourite Planet

The "Mistress of Animals" on the neck of a
relief pithos made in a Cycladic workshop.
7th century BC. See below.

National Archaeological Museum,
Athens. Inv. No. 355.
 

Cretan Master of Animals, British Museum, London at My Favourite Planet

Minoan sheet gold pendant showing a Cretan nature god,
known as "the Master of Animals". Circa 1850-1550 BC.

The figure, wearing a tall headdress, Minoan kilt, earrings and bracelets, stands
in the attitude of the Master of Animals, holding two birds (geese or swans) by
their necks. The curved, ridged elements on either side of the birds are thought
to derive from stylized bulls' horns. Egyptian influence can be seen in the three
lotus flowers among which the figure stands.

From the "Aegina Treasure", a collection of Minoan jewellery
said to have been found in a tomb on the island of Aegina in 1891.
Height 6 cm, width 6.3 cm, weight 138 grains.

British Museum. Inv. No. GR 1892.5-20.8 (Jewellery 762). Purchased in 1892.
 

Replicas of two faience figurines of Minoan snake goddesses at My Favourite Planet

Replicas of two reconstructed faience figurines of Minoan "snake goddesses"
from the "Temple Repositories" in Knossos, Crete, 1650-1600 BC. Height 34.3 cm.

Casts made by Halvor Bagge (1866-1939?), a Danish artist who worked at Knossos
1902-1905. The original figurines, discovered in 1903 and reconstructed by
Arthur Evans, are in the Heraklion Archaeological Museum, Crete.

Ashmolean Museum, Oxford. Inv. No. AE. 1106, 1106 a.
 

Potnia inscribed on a Mycenaean Linear B tablet at My Favourite Planet

A fragment of a clay tablet inscribed in Linear B script, mentioning "Potnia" (po-ti-ni-ja; Πότνια).

13th century BC. From the archives of the Mycenaean palace of Thebes, Boeotia, central Greece.
One of a number of such fragments of tablets recording the dispatch of wool to female weavers
and embroiderers working in the service of deities such as Hera, Potnia and Hermes.

Thebes Archaeological Museum.
 
The snake goddess plaque from the Athenian Agora at My Favourite Planet   The head of the snake goddess plaque, Agora Museum, Athens at My Favourite Planet

The "snake goddess plaque" discovered in the Athens Agora.

A painted terracotta votive plaque, dated to the mid 7th century BC,
with a depiction of a female figure standing between two snakes.
Height 24.8 cm, width (top) 13.3 cm, (bottom) 12.5 cm, thickness 1.1 cm.

Agora Museum, Athens. Inv. No. T 175.

The plaque was excavated in March 1932 in a deposit containing several other fragments of Proto-Attic ceramic objects, 1.9 metres west of the north-south wall of the Agora. The objects may have been brought from other locations outside the Agora, and used as fill material for the foundation of a path or road during the 7th century BC.

The painting is in deep red over a white slip, with some details in yellow and blue. There are holes in the upper corners, indicating that it was nailed to the wall of a building.

The figure, wearing a long, voluminous chiton, stands with both arms raised and with spread fingers; her thumbs are extended inwards, her palms facing forwards. Her head and neck are in relief, with the facial features modelled three dimensionally. Her painted hair has a curled fringe along the top of the forehead, with four wavy locks on each side of the head falling to her shoulders. The oval face has wide open, blue-green eyes, lined in red, with red-painted brows which meet above her nose and closed mouth.

Either side of the figure is a long snake with a wavy body taking up most of the height of the plaque, ending with a head just below the head of the goddess. The snake on the left, painted red, has a forked tongue, and is separated from the goddess by a painted frame from which plant-like forms extend horizontally into the spaces formed by the inner curves of the snake's body. The snake on the right is blue with a red outline; the spaces of the inner curves of the body have been filled with orientalizing dotted floral motifs.

It is thought that the scene represents an epiphany (ἐπιφάνεια), the goddess revealing or manifesting herself to her worshippers. According to a recent theory, the figure may depict the goddess Demeter, one of the Greek female deities associated with snakes.
 
 

The Mistress of Animals on the neck of a Cycladic relief pithos at My Favourite Planet

The "Mistress of Animals" on the neck of a relief pithos made in a workshop
in the Cycladic islands, 7th century BC. She stands in a frontal position with
her head facing forwards, her arms raised in a gesture of epiphany (as in
the "snake goddess plaque"above). She wears a crown, and from either
side of her head spread antler-like or branches covered in flowers. She is
flanked by two confronting, rearing lions (or lionesses), although they do
not touch her hands. She is embraced by two women worshippers, shown
at a smaller scale, who hold on to each side of her long garment.

From Thebes. 675-650 BC.

The vessel has been restored from several fragments. On the front
of the body is a relief of a row of does walking to the right, and on
the register below a row of stags grazing and walking to the left.
There appears to have been no relief decoration on the back.

National Archaeological Museum, Athens. Inv. No. 355.

It is thought that such relief pithoi  (πίθος, storage jar; plural, pithoi, πίθοι),
large ceramic storage vessels decorated with a variety of figurative and
abstract designs, were produced in the 7th century BC in several places
around the Aegean (probably centred around Tenos), including the
Cyclades, Crete and Rhodes. They have also been found on Naxos, Melos,
Thera, Delos and Mykonos, as well as in Athens, Eretria and Boeotia.

See, for example:

The "Mykonos Vase", a large pithos made on Tenos around 675-650 BC, with
reliefs depicting the Trojan Horse (the Wooden Horse of Troy) and the sack of Troy.

A relief of Perseus and Medusa on a Cycladic pithos found in Thebes.
 

The Master of Animals depicted on bronze horse blinker from Syria at My Favourite Planet

A bronze horse blinker from north Syria with a depiction of the "Master of Animals"
holding a lion by its tail in each hand.

9th century BC. Discovered in 1973 at the temple of Apollo Daphnephoros, Etertia,
Euboea, during excavations by the Swiss School of Archaeology in Greece.

Eretria Archaeological Museum. Inv. No. ME 7007.

A matching blinker, now in the National Archaeological Museum, Athens (Inv. No. X 15070), had been found earlier in Eretria, during excavations led by the Greek archaeologist Konstantinos Kourouniotis (Κωνσταντίνος Κουρουνιώτης, 1872-1945). His find was first published in 1933. The Aramaic inscription on the fragmentary blinker is now incomplete and difficult to read due to corrosion. However, an identical, more legible inscription was discovered on a decorated bronze frontlet, an ornament for a horse's forehead, with a very similar iconography, found more recently at the Heraion on Samos. The Samian inscription provided the key to that on the Eretrian blinker, which has been translated as:

"That which Hadad gave our lord Hazael from 'Umqi in the year that our lord crossed the river."

"Lord Hazael" is taken to be the king of Aram at Damascus (reigned circa 844-800 BC), mentioned in the Old Testament of the Bible (Book of Kings). The river may be the Euphrates. These are among a number of Hazael’s "booty inscriptions", found at ancient sites from the Aegean to Mesopotamia, which boast his military victories. Like many objects from distant lands dedicated at Greek sanctuaries, it is not certain how or when these blinkers ended up in Eretria. It is thought that the bronze frontlet was brought to Samos as a gift to Hera in the 7th century BC, perhaps as a souvenir obtained by Greek or foreign travellers (see, for example, an ivory lion from Egypt found at the Samian Heraion).
 
 

Archaic ivory Master of Animals statuette at My Favourite Planet

Archaic ivory statuette of a male figure in the
"Master of Animals" pose from Delphi, Greece.

Second half of the 7th century BC.
Height 22.5 cm, maximum width 6 cm.

Delphi Archaeological Museum. Inv. No. 9912.

Discovered in 1939 during the excavation of two deposition pits on the Sacred Way at Delphi, in which several votive objects, from the late 8th - 5th centuries BC, had been carefully buried after being damaged by a fire around 420 BC.

The back of the figure is flat, suggesting that it was an attachment for a box or piece of furniture. The figure may represent a hero or deity, perhaps Apollo, taming a wild animal as a symbol of nature itself. He holds a spear in his right hand, and his left hand rests on the head of a lion, shown at a smaller scale, standing on its hind paws in a pose reminiscent of heraldic iconography. He stands on a base decorated with a meander.

Thought to be a work of a Greek artist from East Greece (western Anatolia and eastern Aegean islands), with oriental influence. It is the only figure of this type found in Greece, and it has been suggested that it may have been made in Phrygia, Anatolia. It has even been suggested that it could be part of the throne dedicated to the Delphic Oracle by the Phrygian King Midas, mentioned by Herodotus (Histories, Book 1, chapter 14) [3].
 
 

Gold plaque pendant with a depiction of the Mistress of Animals from Kamiros, Rhodes at My Favourite Planet

Gold plaque pendant with a depiction of the Mistress of Animals
in the Daedalic style. From Kamiros, Rhodes, 720-650 BC.

As in the plaque below, the figure thought by some scholars
to depict Artemis, wears a long chiton, has sickle-shaped
wings and holds in each hand a lion by a rear leg or tail. [4]

Ashmolean Museum, Oxford. Inv. No. AN 1896-1908 G.441.
 

Electrum plaque with a depiction of the Mistress of Animals, Ashmolean Museum, Oxford at My Favourite Planet

Electrum plaque with a depiction of the Mistress of Animals.
From Kamiros, Rhodes, 720-600 BC.

On either side of the figure is an object, which
appears to be a flask on a shelf, and a head.

Ashmolean Museum, Oxford.
One of a group of objects, Inv. Nos. AN 1896-1908 G.439 - G.442.
 

The Mistress of Animals depicted on a Cycladic amphora from Rheneia at My Favourite Planet

Neck of a Cycladic amphora with a depiction
of the Mistress of Animals holding two lions.

Made in Paros or Naxos around 700-675 BC. Found in the
"Purification Pit" on Rheneia (Ρήνεια) island, west of Delos.

Mykonos Archaeological Museum. Inv. No. IA 401.

Delos was first "purified" around 543 BC by the Athenian tyrant Peisistratos, who ordered the removal of graves within sight of the sanctuary of Apollo. A second purification was commanded by the Athenian democracy in 426/425 BC. The contents of all graves on the island were removed to the neighbouring island of Rheneia (Ρήνεια), and it was forbidden for anybody to give birth or die on Delos (Thucydides, History of the Peloponnesian War, Book 3, chapter 104).

The "Purification Pit" was discovered on Rheneia in 1898 during excavations by Dimitrios Stavropoulos, Ephor of Antiquities for the Cyclades. The 20 square metre pit in a 500 square metre paved enclosure is thought to be where the contents of the graves from Delos were deposited. It contained a large number of bones and thousands of funerary offerings, mostly vases, dating from the Geometric period (9th - 8th centuries BC) to the years just before the second purification. The oldest vase discovered was a small 12th century alabastron. The Mykonos Archaeological Museum was built by the Greek Ministry of Education and the Archaeological Society of Athens in 1902 especially to house finds from Rheneia.

Most of the pottery of the late 8th and 7th century was from Paros and Naxos, reflecting the competition between the two powerful island states for control over sacred Delos. In many cases it is uncertain which of these islands produced particular vases.
 

The Cycladic amphora from Rheneia with the Mistress of Animals at My Favourite Planet

The Cycladic amphora from Rheneia.
On the reconstructed body are two
horses walking towards each other.
 

The Mistress of Animals depicted on a large Cycladic krater at My Favourite Planet

The body of a large Cycladic krater with a painting depicting Apollo (left) returning
to Delos from the land of the Hyperboreans, greeted by Artemis (right) holding
a deer by its antlers (see detail below).

Made in a Parian workshop, circa 640 BC.

Apollo, holding a kithara, stands in a chariot drawn by four winged horses, with two
female figures, perhaps Hyperborean maidens (or Artemis and Leto). Artemis holds
the deer with her right hand, and has an arrow in her left hand. Above the scene is
a continuous frieze of walking water birds. The neck of the krater shows two heroes,
perhaps Achilles and Memnon, engaged in Homeric combat (see Homer part 2).

National Archaeological Museum, Athens. Inv. No. 911.
 

Artemis holding a deer by its antlers on the body of an Archaic krater at My Favourite Planet

Artemis holding a deer by its antlers on the body of the Cycladic krater above.
 
Drawing of Apollo and Artemis on the Cycladic krater in Athens at My Favourite Planet

Drawing of the painting of Apollo and Artemis on the body of the Cycladic krater above.

Source: H. L. Lorrimer, Homer and the monuments, Plate XXXI, 2. MacMillan & Co.,
London, 1950. (The krater is described as a "Melian amphora".)
 

The Mistress of Animals depicted on a Corinthian oinochoe at My Favourite Planet

Neck of a Corinthian oinochoe (wine jug) with a depiction of the Mistress of Animals.

By the Palermo Painter, early 6th century BC. From Tomb 2,
Galera-Bagliazzo Necropolis, Selinous (Selinunte), Sicily.

Antonino Salinas Regional Archaeological Museum, Palermo, Sicily.
 

The Master of Animals on a bronze quiver cover from Mesopotamia or Iran at My Favourite Planet

A relief of the Master of Animals on a bronze quiver cover
from Mesopotamia or western Iran.

Circa 9th - 8th century BC. Height 13.49 cm, width 54 cm.

Metropolitan Museum of Art, New York. Inv. No. 1989.281.28 (not on display).
From the Norbert Schimmel Collection (1974, No. 138).
Gift of the Norbert Schimmel Trust, 1989.

The reliefs on the quiver cover are similar in design to those on "Luristan bronzes" of around the same period, from the Lorestan Province in the Zagros Mountains of western Iran.

Five vertically arranged panels with reliefs depicting mythical scenes are separated by horizontal bands. From the top:

1. a god standing in a winged solar disc, holding a ring in his right hand, flanked by two horned and bearded deities;

2 and 4. rectangular landscape areas (gardens or pools?) surrounded by plants and mountains;

3. a winged male holding in each hand a lion by a rear paw (photo above);

5. a male figure (a hero, king or god) killing a lion with a spear.

Photo source: Public domain photo at
metmuseum.org/art/collection/search/327417.

See also: Jürgen Settgast (Editor), Von Troja bis Amarna: The Norbert Schimmel Collection, New York, Cat. No. 162, "Beschlag eines Köchers". Verlag Philipp von Zabern, Mainz, 1978.
 

The bronze quiver cover in the Metropolitan Museum at My Favourite Planet

The bronze quiver cover in
the Metropolitan Museum.
 

The Mistress of Animals depicted on a bronze sheet from Olympia, Greece at My Favourite Planet

An embossed relief of the Mistress of Animals on a bronze sheet
from the Sanctuary of Olympia, Greece.

Around 600 BC. Height 88 cm, width 36 cm, depth 4 cm.

National Archaeological Museum, Athens. Inv. No. 6444.

The trapezoidal bronze sheet, possibly made in a Samian workshop, is thought to have been a decorative cover for an object in the sanctuary. Like the Iranian/Mesopotamian bronze quiver plaque above, the vertically arranged panels with reliefs of mythical figures are separated by horizontal bands. From the top:

1. three eagles;

2. two confronted griffins;

3. Herakles shooting an arrow at a Centaur at the battle with the Centaurs on Mount Pholoe;

4. the Mistress of Animals holding in each hand a lion by a rear leg.
 

The bronze sheet from the Sanctuary of Olympia at My Favourite Planet

The bronze sheet from
the Sanctuary of Olympia.
 
The Mistress of Animals on a Laconian bronze handle attachment at My Favourite Planet   Detail of the Laconian bronze Mistress of Animals in Olympia at My Favourite Planet

A standing female figure, probably the Mistress of Animals,
on a fragmentary bronze handle attachment with a lion foot.

"A typical work of early Laconian (Spartan) bronze sculpture", end of the
7th century BC. Excavated at the Sanctuary of Zeus, Olympia, Greece.

Olympia Archaeological Museum.
 

A plate showing a winged goddess with a Gorgon head at My Favourite Planet

Ceramic plate showing a winged goddess with the head of a Gorgon,
wearing a split skirt, and holding in each hand a water bird by its neck.

Made on Kos about 600 BC. Excavated during the 1950s at Kamiros, western
Rhodes by Auguste Salzmann (1824-1872) and Sir Alfred Biliotti (1833-1915),
who sold it to the British Museum in 1860 along with other finds. Height 2.5 cm,
diameter 32 cm, weight: 1.19 kg.

The goddess is thought to be the Mistress of Animals, associated with or
identified as Artemis by some scholars. It is not known why the figure on
this plate has a Gorgon's head, or to put it another way, why a Gorgon was
depicted as the Mistress of Animals. See further discussion in Medusa part 3.

British Museum. Inv. No. GR 1860.4-4.2 (Vase G13/6).
 

Plate showing a winged female figure standing between two geese, Izmir, Turkey at My Favourite Planet

Restored fragmented ceramic plate (pinax type) showing
a winged female figure standing between two geese.

6th century BC. From Bayrakli, Smyrna (Izmir, Turkey).

Department of Ceramics, Izmir Museum of History and Art.
 
Boeotian alabastron with a Mistress of Animals holding water birds at My Favourite Planet   Boeotian alabastron with the upper part of a horse at My Favourite Planet

Boeotian alabastron (bottle for oil or perfume) with a Mistress of Animals holding
a water bird in each hand. The other side shows the upper part of a horse.

Around 550 BC. The name vase of the Horse-bird Group. Said to be from Corinth.

British Museum. Inv. No. GR 1894.10-31.1.
 

A relief of a goddess holding a lion from Dorylaeum at My Favourite Planet

Detail of a marble grave stele with a relief of a winged goddess
holding a lion by a front paw. Around 525 BC.

Found in 1893 in Dorylaeum (Δορύλαιον, Dorylaion),
Phrygia, northwestern Anatolia (today Eskişehir, Turkey).

Istanbul Archaeological Museum. Inv. No. 680. Cat. Mendel 526.

The top of the two-sided stele, now broken, was decorated on both sides with reliefs of palmettes, similar to the akroteria (roof decoration) of buildings. One side has the relief of the goddess, while on the other side are badly damaged reliefs in two registers: the upper register depicts a youth in profile riding a horse to the right, accompanied by a walking male figure and a dog; the lower register shows two-horse chariot driven to the right by a male figure (perhaps representing Death).

The figure of the goddess, walking to right, is almost complete apart from the missing feet. She has sickle-shaped wings which emanate from behind her waist. On her head is a polos decorated with triangular rays. A thick swathe of hair falls in neat rows from the back of her head to behind her shoulders. She wears a peplos over a chiton, fastened by three buttons at her right shoulder. Her right breast and lower right leg are bare. In her right hand she apears to be holding an object, possibly a flower or plant tendril, in her left hand she grasps the left forepaw of a lion which hangs vertically with its head facing downwards.

The best known Archaic grave markers in the form of tall steles (or stelai) with reliefs were made in Athens and Attica in the 6th and early 5th century BC (see, for example the grave stele of Aristion by Aristokles), after which they ceased to be made there. However, the production of Attic type grave steles continued beyond the Early Classical period (mid 5th century BC) in other places in Greece, for example in northern Greece, where double sided reliefs have been found. Steles from other places in the Greek world often feature very different types of iconography.

Following this stele's discovery in 1893, several scholars speculated over the identity of the goddess, with theories summarized in 1895 by the German classical philologist Alfred Körte [5]. The relief figures were compared to Attic works and reliefs from the column bases of the Temple of Artemis in Ephesus. The white, crystalline marble was considered to be from an Aegean island, and the sculptor from Ionia (East Greece).

It was suggested that the stele was made for a Phrygian or Persian client (Phrygia had become part of the Persian Achaemenid Empire during the 540s BC, following Cyrus the Great's conquest of Lydia). The client may have identified the deity as the Persian goddess Anahita ("the Persian Artemis", a theory which Körte refuted) or the Phrygian mother goddesss Kybele. However, according to Körte, in the artist's mind she was Potnia Theron as Artemis.

It has also been suggested that the deity was believed to be the protector of the dead, in this case presumably the deceased horseman shown on the other side of the stele.

Height of surviving fragment of the stele 72.5 cm,
width 37.5 - 39 cm, depth 12 - 13 cm.
Drawing of the Dorylaeum stele from Gustave Mendel's catalogue at My Favourite Planet

Drawing of the Dorylaeum stele
from Gustave Mendel's catalogue
of sculptures in the Istanbul
Archaeological Museum [6].
 

The other side of the Dorylaeum stele at My Favourite Planet

The other side of the Dorylaeum stele.
 

Terracotta antefix with Artemis holding two lions at My Favourite Planet

A terracotta antefix (decorated end of a roof tile) with a
winged figure of Artemis holding two lions by their front paws.

Made in Campania (southern Italy) around 500-480 BC.
From Capua. The figure combines Greek and Etruscan styles.

British Museum. Inv. No. GR 1877.8-2.13 (Terracotta B 588).
Donated by Alessandro Castellani.
 

A terracotta antefix depicting a Maenad between two panthers at My Favourite Planet

A fragment of a terracotta antefix (end of a roof tile, see Medusa part 4)
thought to depict a Maenad (see Dionysus) between two "panthers",
only one of which has survived. The now headless figure grasps a
forepaw of each of the cats in the manner of the Mistress of Animals.

4th - 3rd century BC. From a Samnite sanctuary at Pietrabbondante,
Isernia province, Molise region, south-central Italy. [7]
 

A relief of the Mistress of Animals on an altar from Rhodes at My Favourite Planet

A relief of the "Mistress of Animals" on the front small marble altar.
The figure stands frontally, with long hair, parted in the middle and
flowing over her shoulders, wearing a polos and a peplos. In each
hand she holds a forepaw of a lion, shown at smaller scale, which
hangs vertically with its head facing outwards. The other three
sides of the the altar are not decorated. On top is a relief of
a wreath, its centre forming the space for the sacrifice.

Roman period. From Rhodes.

Rhodes Archaeological Museum. Inv. No. 13643.
 

A relief of the child Horus in the pose of the Master of Animals at My Favourite Planet

A small Egyptian stele with a relief of the head
of Bes over a standing figure of the god Horus
as a child in the pose of the Master of Animals.

National Archaeological Museum, Naples. Egyptian Collection.

One of several similar surviving depictions of the child Horus (known as Hor-sched), which were set up as protective talismen in private homes, although some have also been found in graves. Above him is the head of the god Bes as the protector of the home and family, particularly the women and children. Horus stands frontally with each foot on a crocodile, holding in each hand two serpents and a scorpion. He also holds with his left hand a lion by the tail, and with the right hand an oryx (gazelle) by the horns. From the Hellenistic period the worship of the young Horus as Harpocrates (Ἁρποκράτης) was developed by the Greeks in Ptolemaic Alexandria.  
 

Gold plaque showing the Mistress of Animals, from Smyrna at My Favourite Planet

Small gold plaque showing the Mistress of Animals standing
between two lions. From Smyrna (Izmir, Turkey), 200-1 BC.

Ashmolean Museum, Oxford. Inv. No. AN1912.65.
 

A relief showing the Delphic tripod of Apollo, Ephesus at My Favourite Planet

A relief in Ephesus depicting Apollo's tripod
with a plaque showing the Mistress of Animals.

One of the two matching, almost identical marble pedestals (bases for statues or pillars?) facing each other on either side of the of the bottom of the "Clivus Sacer" (Sacred Way) in Ephesus. This is the pedestal on the north side of the street (on the left as you go up the street, see Ephesus gallery page 12). On the side of the bowl of the tripod, above the central leg, is a plaque with a figure with sickle-shaped wings, holding an animal in each outstretched hand (see larger photo below).

The small image is badly worn on both pedestals, and it is not possible to tell whether the figure is male of female, or what animals he/she is holding. However, it is sufficiently similar to other depictions of the "Mistress of Animals" to safely assume that it is the same figure as, for example, on the Archaic gold plaques from Rhodes (see photos above). The figure in this case may be Artemis, the patron deity of Ephesus.

Between the lion-claw feet of the tripod is the omphalos, indicating that it belongs to the Delphic oracle of Apollo, the twin brother of Artemis. The pedestals may have been associated with a nearby sanctuary of the healing god Asklepios, Apollo's son. Alternatively, there may be a connection with the adjacent Prytaneion, or the Upper Agora. On the left (west) side of this pedestal is a relief of Hermes leading a male goat, and on the right side of the other pedestal Hermes walks with a ram.

The pedestals have been dated to somewhere between the 1st and 4th centuries AD (according to one source circa 3rd century AD), which is rather vague, and little seems to have been published about them. On one hand it is wonderful to see them on the street of Ephesus, but strange that they have been left here and not sheltered in the museum.
 
 

A relief of the Mistress of Animals in Ephesus at My Favourite Planet

Detail of the relief on the pedestal on the north side of the street
in Ephesus, with the plaque showing the Mistress of Animals.
 

The Beautiful Artemis Ephesia statue, Ephesus Archaeological Museum, Selçuk, Turkey at My Favourite Planet

Statue of the goddess Artemis, known as the "Beautiful Artemis Ephesia".

Roman Imperial period, 125-175 AD. Discovered in 1956 in the Prytaneion
(town hall) of Ephesus. Thought to be a copy of a much more ancient cult
statue, perhaps of cedar wood, which stood in the Great Temple of Artemis
at Ephesus. Height 174.5 cm.

The goddess stands stiffly between two deer, her favoured animals,
and the figure is covered with reliefs, many of animals, including lions,
panthers, winged bulls, griffins, deer and bees.

Ephesus Archaeological Museum, Selçuk, Turkey. Inv. No. 718.
 

A rough relief of Artemis Ephesia, Ephesus at My Favourite Planet

A rough relief of Artemis Ephesia, appearing more like graffiti, on the side
of a pilaster near the entrance to the Varius Baths, Ephesus. Roman period?.
 
A limestone statuette of the god Herakles-Melqart from Cyprus at My Favourite Planet   A statuette of Herakles-Melqart from Cyprus at My Favourite Planet

Two limestone statuettes of the god Herakles-Melqart
holding lions in the manner of the Master of Beasts. From Cyprus.

Left: This statuette has been dated to the Archaic period, 600-475 BC. The figure has
a beard but no moustache, wears a lionskin over the back of his head and a short,
girdled tunic with a pleated killt. In his clenched left hand he holds two lions by their
tails. the right arm is now missing. Provenance unknown.

Bank of Cyprus Cultural Foundation.

Right: the beardless figure is about half the size of the other statuette and less
detailed. Classical period, around 450-350 BC. He wears a lionskin on his head and a
knee-length, girdled tunic with half-length sleeves. In his clenched left hand he holds
a lion by its tail, and in his raised right hand he holds a club. Provenance unknown.

Cyprus Archaeological Museum, Nicosia.

Statuettes exhibited in the exhibition Cyprus - Eiland in beweging (Cyprus - a dynamic island), Rijksmuseum van Oudheden, Leiden, 11 October 2019 - 15 March 2020.
 
Mistress
of Animals
Notes, references and links Aashram S01 E01 WebRip Hindi 480p - Vegamovies....
 

1. Asian antecedents of Master/Mistress of Animals type images

A Hittite rock-face relief known as the "Schwertgott" (Sword-God) in Yazilikay, central Anatolia, dated 1250-1220 BC, shows a male figure standing frontally with his head in profile facing left, holding in each hand a lion by one of its rear paws. The relief is still in situ; there is a plaster cast in the Staatliche Museen, Berlin.

See:

Ekrem Akurgal and Max Hirmer, Die Kunst der Hethiter, plates 82 and 83. Hirmer Verlag, Munich, 1976 (Sonderausgabe).
 

2. The eddies of Lethaios

The Lethaios river (Ληθαῖος), one of three rivers of that name, has its sources in Mount Pactyes in Caria, and runs south to become a tributary of the Maeander just southeast of Magnesia on the Maeander.
 

3. Delphi statuette from the throne of Midas?

The claim was made by Keith DeVries, a professor and curator at the University of Pennsylvania Museum, on 5th January 2002, at the 103rd Annual Meeting of the Archaeological Institute of America in Philadelphia, subsquently reported in the popular press and debated in academic articles.

See: Oscar White Muscarella, An Ivory Statuette from Delphi - Not from King Midas’s Throne. Source: Notes in History of Art, Volume 35, No. 1/2 (Fall 2015/Winter 2016), pages 182-193. At the University of Chicago Press Journals.
 
 

4. Precious metal goddess plaques

A similar small metal plaque from a late 7th century BC grave near Kamiros, Rhodes has a repoussé relief of a frontally standing winged female holding in each hand what appears to be a large plant (the plants are described by the museum labelling as "rosettes") rather than a lion, and with a sun symbol with eight rays either side of her legs (see photo right).
 


A silver plaque with a relief of a winged goddess holding rosettes at My Favourite Planet

A silver plaque with a repoussé relief of
a "winged goddess holding rosettes".

From a pithos burial of an infant,
Kechraki T 210 (16). 625-600 BC.
Found during excavations in the
Archaic cemetery at Kechraki,
near the ancient city of Kamiros,
western Rhodes.

Rhodes Archaeological Museum.
 
 

5. Alfred Körte on the Dorylaeum relief

Alfred Koerte (1866-1946), Kleinasiatische Studien I: Eine archaische Stele aus Dorylaion, in Mitteilungen des Deutschen Archaeologischen Instituts, Athenische Abteilung, Band XX, 1895, pages 1-13, plates I and II. Verlag von Karl Wilberg, Athens, 1895.
 

6. The Dorylaeum relief in Mendel's catalogue

Gustave Mendel, Catalogue des sculptures Grecques Romaines et Byzantines, Tome Second, No. 526, pages 230-234. Musées Impériaux Ottoman, Constantinople, 1914.
 


Drawing of the other side of the Dorylaeum stele at My Favourite Planet

Drawing of the other side
of the Dorylaeum stele
in Mendel's catalogue.
 

7. Maenad antefix from Pietrabbondante

The Samnites were an ancient Italic people who lived in Samnium in south-central Italy. Although often at war with the Greeks in Magna Gracia (southern Italy), they adopted several aspects of Greek culture, including the cult of Dionysus, and imported Greek goods such as Apulian ceramics.

Pietrabbondante is thought by some historians to be the location of ancient Bovianum, the meeting place of the assemblies of the confederation of the four Samnite tribes, the Caraceni, Caudini, Hirpini and Pentri. The site of the sanctuary there, first excavated in the 1840s, includes a theatre and a temple.

The antefix was exhibited as part of the temporary exhibition The gift of Dionysos in the Thessaloniki Archaeological Museum, 13 July 2011 - 30 September 2012. So far I have been unable to discover further details of the exhibits on loan from the Molise region of south-central Italy.

See further details on the Dionysus page.
 
 
Photos on this page were taken during
visits to the following museums:

Greece
Athens, Agora Museum
Athens, National Archaeological Museum
Delos Archaeological Museum
Delphi Archaeological Museum
Eretria Archaeological Museum
Mykonos Archaeological Museum
Olympia Archaeological Museum
Rhodes Archaeological Museum
Thebes Archaeological Museum
Thessaloniki Archaeological Museum

Italy
Naples, National Archaeological Museum

Italy - Sicily
Palermo, Antonino Salinas Regional Archaeological Museum
Syracuse, Paolo Orsi Archaeological Museum

Netherlands
Leiden, Rijksmuseum van Oudheden

Turkey
Ephesus archaeological site
Istanbul Archaeological Museum
Izmir Museum of History and Art
Selçuk, Ephesus Archaeological Museum

United Kingdom
London, British Museum
Oxford, Ashmolean Museum

Many thanks to the staff of these museums.
Photos and articles © David John, except where otherwise specified.
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